Moving Day--We Made It!

We've moved--at last! It's been a whole three weeks since we unloaded one truck, two vans, and more than a dozen car trunks-worth of boxes, boxes, and more boxes. I have never been more tired in my entire life, except for maybe when I wrote my first book and it was edited about nineteen times before publication.

Although the new house is still in the last stages of remodeling-construction mode (next job: sanding, varnishing, and hanging doors throughout) we've managed to make ourselves reasonably comfortable: books on the shelves, sheets and towels in the linen closet (sans door), pots and pans in all the right places. And here I am back at my computer, blogging again. It feels good; I missed everyone and I'm looking forward to picking up from where we left off.

I've moved a lot in my life, and I bet some you have, too. And whether you've moved to another country, or just up the road as in my own case, it's still a big deal, one you can't help but question every step of the way, LOL. What's really been amazing to me is how many people I know who are currently planning and preparing for moves of their own. So far I know of one writer moving house here in Albuquerque, another going to Germany, one more on her way to South Korea, and yet another buying curtains for a new home in Los Angeles. Creativity must make us a restless group! Either that, or we somehow secretly enjoy the challenge  of new floor plans, lives, and career paths. If that describes you to some level, here are my top 12 tips for a reasonably smooth transition:

1. Pack early. I started putting everything in boxes about 2 months ahead of time.
2. Plan your writing room in advance--what will you need to make it ready from the get-go? Buy supplies.
3. Make your writing room "moving headquarters." It made sense to use my room as a home office during the move so I could pay bills and keep up with necessary correspondence in relative calm.
4. Leave spare copies of manuscripts, discs, notes, etc. in a second and secure place. I left copies of my current WIP and all related documents at my day-job office in case anything got mixed-up or left behind.
5. Spend a dedicated morning or afternoon to stop packing and instead change all your contact info as needed. Order new business cards, revise your website, let agents and editors know how to get in touch quickly and easily.
6. Go through your filing cabinet and writing "clutter." Toss whatever you can: old rejection slips, out-of-date marketing info, unread conference flyers and handouts.
7. Book giveaways! Pass on your TBR piles, "non-keeper" books, and even copies of your own published work--you know, the one somebody used  for a notepad to jot down a phone number at a signing, or dropped on the floor--twice. . . . 
8. Acknowledge and accept that you won't be able to write for a little while. It's okay--even vital--to stop. Give yourself permission to take a break.
9. Set up your Internet connections early. The cable guy is always late.
10. Take advantage of the move to develop a new writing/creativity routine and schedule.
11. Get to know your new neighborhood cafes, libraries, and writing nooks. Make each trip special by turning it into an "Artist's Date."
12. Establish a "start date" for when you'll resume blogging, social media, and writing again, and mark it on a calendar. For me this was July 17th--today!

The most important gift you can give yourself during any major life change, moving being just one of many, is to be gentle with yourself. Don't rush. Allow for plenty of time to absorb your new surroundings, neighbors, commutes, and get all the sleep you can. Trust me, you'll need it!

Tip of the Day: Breaks are important. Trying to work on a manuscript or fulfill a deadline during a move can often seem more stressful than the actual moving process, so be sure to have a few escape routes handy. Although I was in a hurry to be out of my rental condo by the end-of-lease date, I still found an extra hour every now and then to shut the door, play with some collage, and forget about the chaos in the other rooms. I'll show you what I got up to in my next post. Until then, thanks for reading!

Dogs and Cats and Patterns and Moving and . . .

Moving day approaches--just a couple of weeks to go! I am having a terrible time settling down to anything that doesn't involve going to Lowe's or Home Depot (hence my recent lack of blog posts). Right now it seems every minute of my life is geared toward making the new house habitable, or worrying endlessly about having nowhere to live if it isn't.

Amidst all the angst, though, I have had a little respite--somehow I've managed to fit in a new art class on "Illustrating Cats and Dogs." Each of the six weekly sessions is three hours long and may very well be saving my sanity. Not only is the subject super-fun, but our instructor, Debra Klecan, is an excellent teacher, full of great ideas that a) are diverting me from non-stop moving-day nerves, and b) are helping me organize my nonfiction WIP, A Pet Owner's Book of Days, as well as a new (yes!) picture book WIP I began in March--the two reasons I signed up for the class.

I particularly like our main assignment to create a portfolio that is also a scrapbook/journal/notebook of everything dog- and cat-related we can find. Debra recommended we use a three-ring binder and plastic sleeves for storing our reference materials, including magazine cut-outs, greeting cards, and samples of our own artwork.

I've always kept visual reference binders for my novels, full of  character wardrobes and writing prompts, but this is the first time I've tried doing something similar for an art project. For this particular exercise I chose a fabric-covered binder that zips closed and has a large sewn-in zippered pouch for pens and pencils (lots of pens and pencils). The binder itself is also big enough to include two 9" x 12" drawing pads I can tuck into the back (one is newsprint, the other is a medium-quality sketching paper). Finally, in the spirit of Serious Organization, I placed heavy, reinforced card stock dividers between my various categories:

• Cat Photos
• Dog Photos
• Cat and Dog Fine Art
• Abstract Designs and Patterns
• Color Combinations and Palettes
• How-to Info (including our class hand-outs)
• Notes and Extra Sketch Paper (gray card stock I punched holes in--works really well).

So far I've got a pretty good collection of magazine and calendar photos for the "Cat and Dog" sections, but my favorite category of the moment is "Abstract Designs and Patterns." Copying designs from tiles and decorative architectural borders is meditative and calming, and good for hand-eye coordination. It's also giving me some interesting ideas I can use as borders for the pages of my picture-book-in-progress, as well as any future art journal pages. 

Some of my other reference materials for patterns and borders include:

• Wallpaper.
• Concrete, stone, and brickwork. 
• Fabric.
• The natural world: insect wings, wood grain, seed pods, leaves, petals, etc. 
• Embroidery and knitting stitches.
• Sewing notions, trims, and ribbons
• Junk mail and print advertising.
• Decorative packaging, e.g. cardboard boxes, chocolate wrap, luxury bath products.
• Gift wrap.
• Door keys (especially vintage/antique models).
• Piano keys, too!
• Shelf liner: rubber, plastic, paper, stick-on (been buying a lot of that lately).
• Book covers.
• Jewelry.

And that's just the beginning. I'm sure there's plenty more inspiration waiting for me at the hardware store. Today you'll find me in the aisle marked "Closets."

Tip of the Day: Drawing patterns is an excellent way to spend some downtime away from your manuscript, especially when you're feeling stuck or uninspired. Add the designs right to your journal pages, or start a fresh notebook based on pure design work. It's amazing how easily you can problem-solve once you've switched gears from writing to drawing and back again. Happy doodling!

Pick a Color, Any Color

Apples and Pears;

Derwent Inktense Pencils on

Acrylic Gel Print Background

When I was in elementary school we used to play a "fortune telling" game that I can only describe as a piece of multi-folded paper that fit over our fingers, had various numbers, colors, and "fortunes" written on each of the folded sides, and was opened and shut like a greedy baby bird mouth, or a type of hand puppet. Anybody know what I'm talking about?

I used to love making--and using--those things. All through math lessons, recess, even story time, I was busy folding my notebook paper and thinking up outrageous fortunes for anyone willing to play along. To get to the fortune, the person playing the game had to first choose a number (written on the outside of the first set of folds), and then a color (revealed when the paper was opened and closed as many times as the number chosen). Over and over:  pick a number, pick a color . . . Once the color had been chosen, you opened a flap to reveal the surprise: Oh, you will win a million dollars! Or: You will get straight A's!

I've been thinking about that game these last few weeks, especially as my life seems a lot like "pick a number, pick a color" as we choose the decor for our new house, from wall paint to carpet, curtains, and breakfast nook lighting. So far the master bedroom and my office/art room have both been repainted twice thanks to some wild and wrong decisions (e.g., salmon and apricot thankfully changed to neutrals with names like "Twilight" and "Taupe Mist") and I still can't decide what on earth I want for the laundry room flooring.

Which is why I think I'm more inclined to want to draw than write right now. There's something I need to express in color at the moment, and the color that is calling to me the loudest is yellow. This spring I've seen it everywhere in Albuquerque: the magnificent blooming Spanish Broom growing in my neighbor's front yard; rogue daisies sprouting in cracked cement in an industrial park; the apples I bring to work for my afternoon snack. Yellow is such an optimistic and comforting color--maybe too strong for my walls, but definitely a much-needed accent for all those neutrals.

Seeking out and concentrating on a single color as a creative exercise can be a great art journal or writing prompt. I don't know how long my "yellow phase" will last, but for now I'm turning my search for it into a daily habit, taking note of my feelings and memories associated with the color's many hues and shades. Although I'm currently using yellow as the focus of my artwork, I'm certain I'll be using my notes later on for some poetry, or as the basis for a descriptive passage in my WIP. 

So how about you? What's your favorite color--or most detested? Sometimes it can be interesting to explore our reactions to colors we dislike as much as those we love. In the meantime, I've got to start finding some ideas for that laundry room . . . Catch you later.

Tip of the Day: The next time you're in search of some creative inspiration, go for a "color hunt" through your house, workspace, favorite store, or nature walk. Pick a single color and note how many times it appears and in what form. Paint or write your results, and who knows? You may experience an entire change of fortune as an added bonus!

An A+ for Alphasmart

Hi, Everyone. I'm still in the middle of moving, renovating, revising . . . The middle space seems to be a very hazy place to be right now, finding me longing for the end, wondering how I ever got into this mess in the first place, and discovering my mind has gone utterly blank when it comes to writing blog posts. Which is why I'm going to go back to the alphabet for some inspiration.

When I first signed up for the April A-Z Blogging Challenge, I didn't know what my theme would be. I thought I would concentrate on the business of writing, when I suddenly found myself drawn to my lovely keeper books, and all my pages and pages of brainstormed writing ideas went into my filing cabinet. That is, until today--

So . . . starting with the top of my list and another "A" topic, we have: I love my Alphasmart!

In case you've never heard of the NEO Alphasmart, it's a super-portable, super-basic word processor that's the closest thing I know to writing by hand without running out of ink or developing writer's cramp. 

I bought mine in 2008 after I attended a Land of Enchantment Romance Authors meeting and saw another member using hers to take notes. When I learned that you could simply download your typed text from the Alphasmart into any program such as Word, or simply into the body of an email for revision and professional formatting, I knew it was exactly what I needed for NaNoWriMo. 

Since then, I haven't looked back. Sadly, the company is no longer producing this basic model (although there are plenty of used Alphas out there) but the good news is they have come out with an upgrade, the NEO Dana, that seems to have all kinds of nifty features. That said, I'm still a big fan of the original, and Alpha and I (Teddy, too) have been on hundreds of exciting literary adventures together.

There's something about writing on my Alphasmart that keeps me focused like nothing else other than my fountain pen can. Maybe it's the size (small), the color (drab), or the fact that all I can really do on it is write that makes it so addictive. I can't use it to make phone calls, or to surf the Internet, or even snap a few pics. It's a baby dinosaur--and it's one of the most amazing things I've ever owned. 

My top reasons for being such a fan (and what will take me to the upgraded Dana if "Alphasmarty" should drop dead one awful day) are:

1. It's so lightweight--2 lbs. 
2. Has a full keyboard, and with a "tilt"to it just like a typewriter. Very comfortable for my wrists and fingers.
3. I don't know about the Dana, but the beauty of the Alphasmart is it's designed for writing. Editing is kind of a secondary function. Of course, you CAN run a spell-check, cut and paste lines and paragraphs to new positions, find buzz words, etc., use an in-built thesaurus, and completely clean up your manuscript if that's what you really, really want to do. But why bother? That something for when you download your writing into your computer.
4. And you can very easily download your work into your PC or laptop--approximately 50,000 words at a time! That's nearly a whole NaNoWriMo manuscript.
5. The power is close to immortal. All it takes are three AA batteries which then last 700 hours. That is a very, very long time to write before you need to change to new ones. 
6. It goes wherever you can take it. Want to write your novel in the middle of the rain forest or atop an ice floe? No problem. Just bring three AA batteries in case you're going to be there for a year or two.

Tip of the Day: Having a favorite tool for creativity can be an important part of the process and ritual of settling down to work. For me, my Alphasmart is the tool that does that best; just taking it out of its carrying case puts me in the mind-space of knowing it's "time to write."

What about you? If you own an Alphasmart, I'd love to hear how you use it. Or if you have some other cherished writing tool, drop me a line and let me know what it is. Thanks for visiting, and I wish everyone a happy and safe Memorial Day Weekend. See you next week.

Revision, Revision, Revision

I am in the middle of moving. I am in the middle of renovating the house I am moving to. I am also in the middle of a major manuscript revision. It feels like I've been in the middle of all these projects for a long, long time, and I can't wait for them to be over, as in Happily-Ever-After over.

One thing I can be assured of, though, is that if I stay with the work, chipping away on a consistent basis I will very soon be a) able to move into a nice house, and b) have a submission-ready manuscript to put in the mail. Because as disgusting as tearing out old carpet is, or how painful cutting pages and pages of first draft writing can be: once it's gone, only the new and better can fill it's place. But I have to do the work first. 

Right now, I'm lucky in that my husband is handling the majority of the heavy renovation work. My part is mainly to drive to Lowe's and try not to complain/worry too much. In many ways my manuscript is a life-saver because it gives me something to concentrate on when I'd rather be screaming. And the best way I can sanely write and revise is to:

• Avoid editing anything while writing a first draft--including the first draft of any new and/or revised section or scene. Just keep writing until you reach the last page or paragraph. (For some extra help with that last page, check out  my earlier post on writing your endings first.)
• Once you're ready to read through your initial or discovery draft, try to read without a pen or pencil in hand. Be a spectator rather than an editor.
• The second read-through is the time to make notes. Aim for order: chapter-by-chapter, line-by-line. Keep everything together in a special manuscript binder, preferably one with dividers.
• Once you've finished writing your editorial notes, switch to right-brain mode and journal out your feelings and overall impressions. What did you like best about your manuscript? What do you feel is missing? Do you need to write any new scenes? Did any parts of the story bore you to the point you didn't want to read them? (Extra tip: be ruthless--cut out anything you don't enjoy. Readers won't like those sections either.) Make a comprehensive to-do list for your next draft.
• Examine the chapter arrangement. Are the chapters in the right order to tell the story most effectively? What about the chapter lengths? Are some chapters too long, while others are too short? While it's not essential to make your chapters always the same length, you also don't want to throw your reader off balance with too much variation unless it's intentional.
• Look at POV (point-of-view) use. Have you gone for single or multiple POVs? Have you kept them consistent? If not, make your changes now.
• Read the manuscript aloud whenever possible. Reading to your critique group can be helpful.
• Create a style sheet to record important story details, e.g., correct spellings of characters' names, their dates and places of birth, the floor plans of their houses, a map of their city streets. I like to make a list of their wardrobes and other belongings--items in the story that will appear more than once. For instance, if I've said my heroine lives in a one-story house, I don't want her to ever go upstairs unless she's visiting someone who lives in a multi-level dwelling; or have her receive a compliment for her lovely green dress after I've dressed her in shorts and a T-shirt.
• Use your computer's "search and replace" function to weed out repetitions and buzz words. For instance, how many times have you used the words "suddenly," "actually," or "really," or had your main character bite his lip, run his hand over his hair, or drink a cup of coffee? Or used a word like "enthrall" too many times?
• Once a draft is finished, put it away for a while and work on something new. Two to four weeks between drafts is usually long enough to let a manuscript "rest." Follow the guidelines above and you may only have to rest two or three times before you're ready to submit your work to a publisher.

Tip of the Day: More than anything, revision is a process to help your words shine on the page (or e-reader device). Your goal is to make the manuscript flow--not to strangle the life out of it. Remember to take your time and stay true to your original vision--whether it's your screenplay or your new backyard--make it the one that pleases you, not someone else, the most.

The 12 Top Things I Learned from the A-Z Blogging Challenge

Wow, the A-Z Blogging Challenge has been over for a week, and I'm just now recovered enough to add some of my thoughts to the list of other bloggers' reflections that you can read by clicking here.  

As mentioned on my sidebar, my theme for the challenge was "My Keeper Books," all the books I can't imagine living without. It was a particularly poignant theme for me, because I'm currently living without them! As soon as the challenge was over, I began packing for another move, and I started with my books. After two years of condo-living, I'm off on a new adventure to an unfinished town-house in serious need of renovation. But that's all for another post; today's is about the top 12 things I learned from the challenge. Here goes:

1. My chosen theme of "keeper books" gave me the opportunity to really examine what books I own and why. It helped me to make some choices for the upcoming move, leaving me with a small pile of "non-keepers" that went off to Friends of the Library for resale.
2.  I learned that using a set theme for any creative project is an excellent idea to help you stay on track. Whether it's choosing a theme such as "Love conquers all" for your novel, or painting a series of still life pictures only in yellow and green featuring  koala bears, a theme keeps you focused and productive.
3. For the majority of my A-Z posts I made Polyvore.com digital collages to serve as illustrations. Stretching to include a visual "post" along with the text each day was a bonus that kept me feeling even more committed to the challenge.
4. I learned that I could write a post without stressing about it. Because I had a deadline to adhere to, I found I was writing more naturally and with a lighter heart--despite the time pressure. Weird.
5. And with that, somehow, I found the time to post every day! Proving to myself that I will always have the time to write, draw, and create every day if I want it badly enough.
6. I also found I could be much more open with what I wrote about. When I first started my blog several years ago, my intention was for it to be a "how-to-write" site, an extension of my creative writing workshops and classes. But that often meant I would become overly-focused on the need to teach, leading to more stress: Was I clear in my instruction? Did I make the subject too difficult, or boring? Did I make the reader feel inspired or simply overwhelmed? It was a worry, but one that I've learned to set aside. My posts will still center on writing and creativity, but I plan to share more of my own journey and daily life into the mix as well.
7. I met a lot of great bloggers. It was wonderful to visit, connect, follow, and comment on so many interesting and varied sites--sites I would never have found prior to the challenge. Can't wait to read more!
8. Apologies for this rather negative "lesson" but I was astonished at how many blogs I couldn't read! It saddens me to say this, but it was such an important discovery and eye-opener for me. Many, many blogs I visited turned out to be too cluttered or too busy for me to read without getting a serious headache. Most of these had teensy-tinsy fonts on black backgrounds, and quite often with just a "hint" of the post, with no real indication of how to click onto the main body of the post to read what it was supposed to be about. With this was another problem I kept running into--blogs that I DID like very much had no way (at least that I could see) to follow them. So frustrating! In light of this, I hope my blog is easy for you to use and follow. If at any time you have trouble with any of it, please let me know.
9. On the pleasant and easy-to-use blogs, however, (which were also the vast majority) I started to develop a much-improved habit of leaving comments. In the past I have been a terrible non-commenter, blaming my perpetual lack of time. What I learned to do over the month of the challenge was to simply set aside a few extra minutes each day so I could comment on whatever blog(s) I was visiting. It was a good plan and I hope to continue it.
10. When I signed up for the challenge, one of my goals was to learn how to blog more frequently--and I certainly did, LOL. Now that the challenge is over, I don't think I will be blogging every day, but a schedule of every 4-5 days is manageable, and more frequent than my past posts of once a week.
11. Blogging every day came close to being a daily meditation for me. I enjoyed that, and I may continue using my morning writing practice as a way to generate if not actual blog posts, at least the ideas and themes for them.
12. Prior to the challenge, I kept hearing voices in my head--the nagging ones that come from agents, editors, publishers, etc. demanding that writers "blog, and successfully, too." I guess "successfully" means having a gazillion hits and followers, and a fan list from here to the moon. In other words, blogging was promotion and marketing and something to do with job performance and pleasing other people. The A-Z Challenge turned that all around for me. Now I feel blogging is about community and communication, and sharing what is important in your world. It's not about numbers, it's about conversation and helping each other where and when we can.  

Tip of the Day: One last thing about the challenge, and maybe the most important: I learned to take time off. Sundays were set aside as the "non-blogging" days, and I was amazed at how vital it was to follow that rule. So the next time someone tells you have to write "every day," guess what? They're wrong! Giving yourself necessary, scheduled breaks will help you maintain energy and enthusiasm for even the most challenging project. 

I want to thank the organizers of the challenge--as you can see, I learned a lot from them. I also want to congratulate everyone who completed the challenge. Wishing you an entire dictionary of future blog post ideas!

And we have a winner for the giveaway copy of OVERTAKEN!

C. Lee McKenzie

Congratulations, and happy reading!

Z is for Zigzag Paz

The end of the alphabet, the end of the challenge--today feels a little sad to me! Showing up to blog every day has been an important experience; going through my keeper books even more so. Examining why I have kept a book, and given others away (many, many others) has brought back all kinds of memories, good and bad, and has also confirmed that I've made the right choices. The books I've listed this past month will always be keepers; they make my world whole.

Today's keeper is no exception. Zigzag Paz by Pamela Anne Zolkov, published in 2011, is the only memoir I own. Primarily set in South Africa, it's a journey of the heart that is truly unforgettable. To read my earlier review of the book (which remains one of my most popular posts according to my sidebar!)  just click here. I feel the same way today as I did when I wrote that original post--Zigzag Paz is a wonderful story, well-written and thought-provoking--and it has recipes! How cool is that?

But what I really want to say today is what Zigzag Paz has come to symbolize to me now that I've had my blog for several years, as well as a Twitter account, a Facebook page, a website, a JacketFlap account, an Author's Den page (I think that's all!); in other words, the Internet. 

I met Pam through the Internet via Twitter. Twitter! I would never have thought back when I was first reading, say, The Alexandria Quartet or Vanity Fair, that I would one day have a combination TV-typewriter that would take me to as far away as South Africa, or even the next state over, giving me the chance to meet amazing people like Pamela Zolkov. 

It's been such a privilege, a science-fiction fantasy come true, to be able to communicate with you all wherever you are, whatever time zone you're in. How lucky I am to get up every day and know you're out there somewhere, working on your own creative projects, filling the world with your creativity and good thoughts. I'm so grateful to you all!

Thank you for reading my blog, thank you for the work you do, thank you for sharing your books and art. And thank you, especially, Pam, for writing Zigzag Paz and introducing me to so many new vistas through your book. It means a lot to me.

So with that I'll sign off for a little while. I need to digest this whole "blogging every day" thing. Tomorrow I'll be selecting a winner for a print copy of Overtaken, and will announce who that is in a few days after I've heard back from him or her. There's still time to win--just leave a comment on any of my A-Z blog posts from this month and I'll enter your name in the random drawing. 

But now I have to go find a tissue. I'm feeling very emotional saying goodbye to the challenge and to you. Who'd have thunk it? Take care and I'll see you all again in about a week. Keep reading good books!

Y is for Young Adult Writing, Featuring Marilee Brothers

Although I don't have a keeper book starting with the letter "Y", I do have a special surprise: a guest blogger specializing in Y is for Young Adult! And her new book (which is definitely on my keeper shelf), Baby Gone Bye,  does have two Y's in the title. So all round I feel pretty lucky (more Y's) to have Marilee Brothers visiting today. Yay Marilee!

The author of eight books, Marilee Brothers is a former teacher, coach and counselor. She and her husband are the parents of three grown sons and live in central Washington State. After writing six young adult books, Marilee is currently hard at work, writing an adult romantic suspense.

Her most recent young adult title, Baby Gone Bye, is a keeper for many reasons: I love the story, I enjoy Marilee's writing style, and I think it's an excellent go-to book for staying up-to-date with modern YA writing. I gave the book 5 stars in my Amazon.com review, which you can read on the book's Amazon listing page.

For today's post I asked Marilee if she could share some of her top tips for writing for the YA market. Here's what she had to say:

1. Read, read, read. When I was young, there was no such thing as young adult fiction. The only books available to me featured prissy little girls in white pinafores. Therefore, I had to sneak-read my parents’ books and grew up with the fantastic Travis McGee series by John D. MacDonald and books like The Flame and the Flower by Kathleen Woodiwiss, very likely the first sexy romance novel ever published. 

2. Watch TV shows and movies that feature teenagers. Eavesdrop when you’re in the mall or other teen hangouts. But, be careful when using current slang. It will probably be obsolete by the time your book is published. 

3. Write in a genuine voice because kids can detect a phony faster than I can write this sentence. 

4. Don’t get preachy. If you have a message, make sure it’s an integral part of the story, woven intricately throughout the plot. You may not even know you have a theme until after the book is written. This happened to me. I wrote five books in the Unbidden Magic series and didn’t realize until Book 3, Moon Spun, that I had recurring themes, namely Allie’s search for her genetic roots and the desire to find something larger than herself to believe in. 

5. If you’re writing for young teens, bear in mind you are also writing for their mothers. Moonstone, the first book in my series, featured 15-year-old Allie Emerson. She lived in a rural part of Washington State with her young, single mom. She’d never had a boyfriend until she connected with reformed gangbanger, Junior Martinez. When the book came out, I didn’t hear from the young readers. I heard from their mothers who read the book before passing it on to their kids. The message was, “Thanks for writing a book without vampires and sex.” This surprised me. 

6. Make ‘em laugh. Your plot may be deadly serious. Your protagonist may be in fear for his/her young life. Your characters may be in mortal danger but that doesn’t mean you can’t throw in a dash of humor. Often, the funny stuff is what your reader will remember about your book. For example, I’ve read all of Sue Grafton’s alphabet mysteries featuring her private detective Kinsey Milhone. I’ve forgotten most of the plots, but I’ll never forget her description of Kinsey sneaking into a house via the doggy door and then meeting the actual dog. Laughed my butt off! 

7. Don’t write to a trend. Vampires. Dystopian. Shape shifters. Sorcery. They have all been done to death. Maybe you have a fresh new perspective. If so, go for it, but bear in mind, agents and editors may be sick of these overdone genres. As stated before, write from the heart. Make your story fascinating, original and unputadownable. Is that a word? 

8. Here's an exercise guaranteed to put you in a YA frame of mind: harken back to your teen years and pick an age when you were alternatively miserable and euphoric. For me, it was age 14 going on 15, which is why I made Allie Emerson that age at the beginning of my series. Think of an incident that made you miserable. Try to remember how truly awful you felt and write about it. Then, do the opposite. Pick something that sent you over the moon with happiness and write it down. Tap into your inner teen and you will find the age of your protagonist. I promise you it will work. 

Last bit of advice: Write. Write. Write. Exercise that writing muscle! It gets lazy if we let it. Not only does it get lazy, doubts begin to set in. I recently finished a contract with my publisher. After writing a book a year for six years, I took some time off. Big mistake. The longer I waited to start something new, the more I began to wonder if I still had the juice. I know. It makes no sense. So, after a serious talk to myself, I began writing again. And, guess what? The act of writing woke up my lazy brain. The ideas began to flow and all is right in my world. 

Thank you so much, Marilee! Great advice which I certainly will be taking to heart for my next YA project. Wishing you the very best for continued success.

P.S. Marilee loves hearing from people who have read her books. Feel free to contact her at www.marileebrothers.com. Thanks again--and see you all tomorrow with the letter Z (and the end of the challenge!).

The X Factor: Maxfield Parrish

I don't have any books that start with the letter "X." I don't think I've even read a book starting with "X"! So today's fill-in will have to be keeper book Maxfield Parrish, by Coy Ludwig, the closest I can get to any title with an "X" in it, other than The Alexandria Quartet, the first book I posted for the A-Z Blogging Challenge. 

"Twilight" has always been my favorite Parrish painting. Oh, yes, I adore all his wood nymphs, fairy tale princesses, gorgeous waterfalls and morning skies—I’ve even had drinks at San Francisco’s Pied Piper Bar with its splendid namesake painting, but for some reason, this tame little scene of a white-washed house in the middle of nowhere speaks the loudest to me. 

When I first started taking art lessons, my teacher said something very interesting that I’ve never forgotten: she said that the world was full of landscape paintings, still life pictures, portraits, fantasy art, you name it. The full range of techniques and expressions from abstract acrylic on glass to humanist marble sculpture has already been done, and by artists of every skill level imaginable. But what differentiates the pieces that truly speak to us is what she called “the X factor.” That little, indefinable unique something-or-other that makes the work different, and special. It might not even be seen by everyone who views the work—but when you see the X factor, you know it, and you want that piece of art in your life. 

I don’t think there’s any Parrish painting that doesn’t hold some kind X factor for me, but "Twilight" seems to carry a special message, one that speaks to me of home and hope. I’ve moved so many times in my life that I don’t really have a very clear image of what “home” means. The places I lived in as a child were scary and unfriendly, somewhere to escape from, rather than seek refuge or feel any sort of safety or comfort. It wasn’t until I lived in my own apartments and houses that I understood how to make a place warm, welcoming, and peaceful—in other words, a home. 

“Twilight” has given me that inspiration and a model to follow. Other than my years in the Georgia countryside (and that was pretty suburban; the college was right down the road next to a smooth highway leading straight to the heart of Atlanta) I’ve never lived in quite the full extent of isolation as in this painting. If I did, I know I’d go stir-crazy in a matter of days. After a few walks up and down that creek bed I’d be itching for libraries, art supply stores, and a quick trip to the mall for a latte. But . . . it’s nice to dream. 

It seems I carry the image of this particular house in my mind wherever I live, and it’s what has made me seek out an X factor in my own sense of style of interior decorating, maybe even my own writing and art. I can't say exactly what that is, but it’s a striving for something quiet and tranquil, a space that allows me to think and create and just be me. It’s a good place to go, and I hope you have a special heart-place of your own, too. Let me know if you'd like to share!

W is for Writing Poetry from the Inside Out

Happy "W is for Weekend"! Hope you're having a good one. It's dark and cloudy in Albuquerque this afternoon, just the right weather for today's keeper book: Writing Poetry from the Inside Out, Finding Your Voice Through the Craft of Poetry, by Sandford Lyne. 

This particular book is so important to me I've written my name on the inside cover, just like I did in the fifth-grade with Little Women and The Wizard of Oz: My Book, Hands Off! I carry it with me to all sorts of important places like the library for some quiet writing practice; my writer's group for more writing practice and group exercise; for inspiration when I'm waiting in the Lowe's parking lot while my husband shops for gizmos. As Lyne states in the preface, ". . . poetry writing is the most portable of the arts . . ." It's true--all you need is a pen and a notebook, pencil if you prefer.

Here are my three favorite things about the book:

1. I love the way Lyne refers to a writer's journal/sketchbook/notebook as the writer's "studio." Choosing just the right size, paper, binding, and weight of your book goes a long way to feeling comfortable with it, making you want to write more often, or as Lyne calls it, trying your hand at some "poem sketching." The simple act of opening your notebook can become a touchstone, transforming wherever you are to writing space, helping you to block out noise and other distractions. So choose well!
2.  There's a lot more than poetry "form and function" here. Yes, there's lots of "how to" instruction on "how to write a poem" throughout the text, but this is also a book about how to reach that deep and sacred part of you that wants to express itself through the written word. In many ways, this is secretly a book about how to live, and live well.
3. Word clusters. There are about 30 pages of word clusters at the back of the book, divided into groups of four. For example: barefoot, evening, shadows, king. Or: wall, ancient, dawn, dusk. These have been provided as writing prompts (which makes this such a great book for writer's groups). I've used these clusters in all kinds of ways: singly, as the given set, or taking words from across the pages to make new combinations. I've also used them for more than poetry, too, e.g., essays and fiction. And if you manage to work your way through every set, you can always start adding some fresh words of your own to the mix, cutting out words from magazines, or going through the dictionary for fresh and unusual ideas.

There's still five days of National Poetry Month left (and only three more blog posts till the end of the A-Z Blogging Challenge!). How about joining me to write some new poetry over the coming days? Here are a few word clusters of my own gleaned from magazines to get you started:

mirage

romance

harvest

escape

taste

scarlet

theory

world

horizon

balance

window

snow

image

ancestral

passion 

world 

They almost make a poem on their own! Have fun, and I'll be back on Monday. (Yay for free Sundays!)

V is for Vanity Fair

I'm feeling rebellious today--sitting at my computer writing a blog post when it's so nice and sunny outside is starting to feel like homework! So I'll get right to the point with: V is for Vanity Fair, by William Makepeace Thackeray, a book with one of the most rebellious heroines in memory: the ruthless, amoral, and quite wonderful Becky Sharp.

Thackeray was born in 1811, and he published Vanity Fair in 1847. It's a book as relevant today as it was back then, giving credence to the theory that "the more things change, the more they stay the same." I bought my copy as a teenager when I was determined to read every British and Russian classic I could. It was a good plan, and it also taught me what makes a classic a keeper: the characters are timeless and universal, enduring the highs and lows of "modern life" regardless of era. When I first read Vanity Fair with all its absurdity coupled with Becky Sharp's machinations to get ahead in life, I thought it was just like high school! I could identify with her social woes, and I still can.

Becky Sharp is a fascinating character for writers to study. She's a dreadful person--bad, wicked, self-centered and narcissistic, and yet you can't help but feel sorry for her. You want her to win, and it's sad when she doesn't. She's also very, very funny. Becky never asks for permission--she just goes ahead and grabs life by the fistful, consequences be damned. 

She's an interesting role model--bad girl, smart girl, determined girl, product-of-her-times girl. I think there's a little bit of Becky in all of us (that goes for the guys, too!). The trouble is,  it's difficult to 'fess up and say, "Hey, I want to be just like her! I want my own way, and I want it right now! Move over." 

Giving in to your inner-Becky Sharp might be a risky path, and probably isn't the best way to gain friends and influence people. On the other hand, it just might be the key to creative success: being bold enough to send a manuscript to an editor who claims not to want submissions, but you know she's reading them anyway. Or having the confidence to take your artwork to a gallery for the very first time, even when you don't think you're "good enough." Becky never let the "rules"stop her, usually she just made them up as she went along.

So on that note, I'm going to follow Miss Sharp into the sunshine and play for awhile. Enough of this blogging madness! See you tomorrow when I promise to be much better behaved.

U is for Urgent 2nd Class

Yesterday the strangest thing happened to me: I was in a bookstore searching for a new art book (totally realizing that the last thing I need is a new art book), and when I opened a how-to on watercolor techniques, there was a letter inside. A hand-written, angsty "I-don't-mean-to-be-passive-aggressive-but-I really-hate-you-because-I-love-you" letter. Wow. It was written on lined notebook paper and made me feel like I was a character in a movie or a novel. All I could think about was: Who was supposed to receive this letter and why was it in this book? In a public space!

The part that was really strange to me, though, was that I had already planned to make today's post for "U" be a celebration of Urgent 2nd Class, Creatimg Curious Collage, Dubious Documents, and Other Art From Ephemera, by Nick Bantock, the creator of the Griffin & Sabine series of books. If you are a Bantock fan, you'll immediately recognize the significance of finding a letter in a book. If you don't know Bantock's work--run, don't walk to the bookstore and get yourself a copy of Griffin & Sabine, an Extraordinary Correspondence right now--skip reading this post, just go!

In my opinion, Nick Bantock is the foremost mixed media and collage artist/author ever. The End. I have admired (and envied) his work most of my adult life, and taking one of his workshops is so on my bucket list I get dizzy just thinking about it. Fortunately, I have a way to stay sort-of sane while I'm waiting because Urgent 2nd Class is one of my all-time keepers. The book is full of Bantock's artwork, and better yet, great ideas and tips on how he does it. Not only is the book beautiful, it's genuinely useful.

Bantock is the reason I first became interested in making collages of my own. I've often mentioned in the past how important magazine cut-outs have been to both my artwork and writing, but to get that real "fine art" kind of effect, magazine pics can sometimes be too "slick" or commercial-looking. 

Bantock uses all kinds of strange and interesting materials in his work, much of it found from combing through vintage shops and yard sales. My own collection of collage materials is rather paltry in comparison, and one of the things I'd like to do this summer is start creating a better selection of items. To get started, I brainstormed a list:

• Used costume jewelry: pins, beads, chains.
• Old jigsaw puzzles--doesn't matter if pieces are missing. All the better if they are.
• Vintage postcards, travel brochures.
• Vintage greeting cards.
• Vintage theater programs and tickets.
• Stamps. International, used, pretty, weird . . .
• Buttons, laces, and fabric trims. Preferably used.
• Old books in bad condition (so I can tear them up with a clear conscience).
• Vintage menus, paper placemats.
• Doilies, both fabric and paper (good for making imprints and texture in paint).
• Wallpaper scraps.
• Really bad condition wall-art prints and posters (again for tearing up).

I have a feeling that searching for these items is going to be just as much fun as finding ways to use them. Let me know if you're planning to hold a yard sale any time soon!

T is for The T.E. Lawrence Poems

When I first moved to Albuquerque nearly eleven years ago, one of the first things I did was join a narrative poetry writing group. I saw their notice seeking new members up at my local indie bookstore, and wanted to join on the spot. I called the listed number, talked to a very nice poet, and attended my first meeting several days later. It was a great group, even if I didn't know that much about narrative poetry at the time, other than having read Gaudete, the subject of my "G" post for the A-Z Challenge. 

Unfortunately, several months later the group was the target of a hostile takeover (bet you didn't know groups could fall prey to things like that) and almost overnight it became a . . . science fiction novel writing group! Huh?? I don't write science fiction. I needed a new group, and soon.

Except there were no other narrative poetry groups in Albuquerque. When I told a poet friend in Canada about what had happened and how much I wanted to learn more about the genre, she immediately sent me a very special gift: a copy of The T.E. Lawrence Poems by Canadian poet Gwendolyn MacEwen, a book my friend described as "narrative poetry at its best." She was right.

The T.E. Lawrence Poems is a fictional "autobiography" told in verse from the point of view of Lawrence of Arabia. This Lawrence isn't Peter O'Toole, and maybe not even the author of Seven Pillars of Wisdom, but he sure comes across as real. Reading this book is worse than having an endless bowl of Fritos--once I start, I can't put it down.

I have never been the type of person who can describe poetry very well. I use words like amazing, fantastic, beautiful, soul-stirring, but none of them say what I want to say about poetry. Maybe it's because I just don't know how you can write about poetry, except maybe to write another poem!

Which is what I did on a trip to Taos, New Mexico a few summers back. It started with a simple misunderstanding: During much of the trip I kept talking about how much I wanted to see all the places D.H. Lawrence had been while he lived in Taos. It wasn't until we were at the Mabel Dodge Luhan House that I realized with a jolt that my husband thought I'd been talking all this time about T.E. Lawrence. I was stunned. Sons and Lovers had NOTHING to do with camels. I had to process this in my art journal before I felt as if I'd fallen down the rabbit hole:

Lawrence in Taos

There were no deserts he could recognize;

His motorbike too small and industrial;

His politics unpopular;

His clothing suspicious.

Arrested over and over for assisting--they thought--Al Qaeda, 

He could not convince them he wasn't who they thought he was:

LAWRENCE OF THE INDIANS.

It was terrible how narrow their vision was

And how much he wanted to go home . . .

Whew, that felt better.

I hope you get a chance to read The T.E. Lawrence Poems one day. The copy my friend sent was a used edition, and I was lucky to get it. There are some pencilled annotations in the margins from previous readers, and whoever they were, they seemed to have enjoyed the book almost as much as me! 

Happy National Poetry Month, everyone, and I'll see you tomorrow with the letter "U."