Showing posts with label Art Journaling. Show all posts
Showing posts with label Art Journaling. Show all posts

Thursday, November 2, 2023

NaNoWriMo '23 -- It's All About Me! (And You Too!)

 


So here we are again: November and National Novel Writing Month and the eternal question: Why am I doing this??

Because I love it, I suppose!

Whatever the reason, this year has found me throwing myself into creative challenges with more than reckless abandon. I had barely recovered from July's Camp NaNoWriMo when I decided to go for Inktober '23 (31 days of daily ink drawing with mandatory social media posting) and then the next thing I knew I had to do "the real" NaNoWriMo . . . and off we go.

When I first thought about signing up for NaNoWriMo 2023, my intention was to simply continue the story I had started in July. Although I had reached my 50K goal, the manuscript was in no way complete, so it made sense to think November would be a good time to write another 50K to finish things off. 

That all changed several weeks ago when I couldn't sleep one night and got up to write instead. Suddenly I was immersed in a new story, one I hadn't expected to write and one I didn't really want to write. Working on a "shiny bright idea" with so many other projects calling for attention felt like a very bad idea. But there it was and it wouldn't go away so I thought, use it for NaNoWriMo!

While it was easy enough (maybe too easy) to switch gears into a new plot and theme, the abruptness of the change didn't give me any time to assemble my usual scrapbook-style journal of prompts and photo references. I had a great journal full of mood boards and creepy settings to use back in July, but there wasn't a single item I could use toward my new story. Very quickly I had to come up with an entirely fresh approach: rather than rely on my usual magazine cut-outs, I could dive into my own life and make the prompts all about me! (Sort of.)

I was inspired by the example set by one of my Twitter (X) friends, writer and poet, Janis La CouvĂ©e, who is currently exploring memoir writing. Her recent tweets on the subject reminded me of a workshop I had taught while I was living in Carrollton, Georgia: "Write Your Memoirs, You're Never Too Young To Start." It was a fun class and I know of several full-length manuscripts that were written for both family record-keeping as well as more general publication. However, other than a blog post with the same title, I haven't thought of memoir for a long time until it occurred to me that using prompts from my own daily life and memories could be what I needed for NaNoWriMo. 

In other words, I'd be "memoir writing" but with a twist. I could assign my memories to fictional characters who could take them wherever they wanted to go. For instance, as a small child I wanted to be an archaeologist, something I obviously never did (unless you count Albuquerque yard work as a trial run), but a fictional character could actually work for a museum.

With that direction in mind, I've made a quick 30-day list I'm happy to share for any kind of writing you might be doing this month yourself, whether it be NaNoWriMo, a genuine memoir, or even a month of poetry.

Taking the words: "base a scene on," or "your main character remembers (something from the list) which then triggers (action or emotion)," try:

  1. A favorite song.
  2. A disliked poem.
  3. Most hated childhood food.
  4. Most frightening moment.
  5. Happiest day.
  6. Three items inside your handbag or pockets.
  7. Three items of clothing you love.
  8. Three items of clothing you never wear.
  9. Favorite pet.
  10. Worst day of school.
  11. Your best childhood friend.
  12. A letter you never wrote.
  13. Favorite book: go to page 93 and use the first line you read.
  14. A restaurant you would never go to and why.
  15. Your attitude to shopping.
  16. A hobby or skill you would love to have.
  17. A place you have always wanted to travel to.
  18. Favorite color.
  19. Most disliked color.
  20. Your last argument.
  21. Something you're allergic to.
  22. Your car (or lack of one).
  23. An item in your house you wish you could get rid of.
  24. An item you wish you still had.
  25. Greatest fear or phobia.
  26. Housework.
  27. Favorite movie.
  28. What you are wearing this very minute.
  29. What you really want to say to your neighbor(s).
  30. Your daily routine as it is now, or how you'd like it to change.

And there you go: 30 prompts for 30 days! Feel free to use them in daily order or for a more spontaneous writing session, mix them up and use at random. Or add your own ideas; after all, you know your own life best!

Tip of the Day: Although NaNoWriMo requires both planning and organization, you can still start a day or two late and be a winner. One way I'm focusing on writing, and writing only, is to clear my work space and limit my writing tools to the basics: my Alphasmart; a lined notebook for writing in cafes, parks, or the middle of the night; and a new sketchbook with a small number of my favorite pens and pencils. The sketchbook is for visual brainstorming in between writing sessions and to keep the creativity flowing whenever I need a break. Now to go write my 50,000 divided by 30 equals 1666.666 words for the day. Happy November! Happy Writing!

Wednesday, May 4, 2022

Creating With the Seasons, Part II: Writing


Happy Spring, everyone! Taxes, allergies, never knowing if the weather is hot or cold or simply freezing . . . Yes, it's a wonderful time of the year.

In my last post I wrote about finding ways to use the various seasons as a creative direction for my artwork, especially for the days when I was stuck wondering what to paint. For today's post I want to discuss how to use those same ideas as writing prompts, starting with:

Poetry. Although it's now a few days behind us, April was National Poetry Month and one of the ways I celebrated was experimenting with some haiku. You might recall learning to write one in school, something teachers love to promote as for some lucky reason children seem to excel at the form. In case you missed out on those lessons (say it isn't so!) haiku is a traditional three-line poem from Japan consisting of a five-syllable first line, a seven-syllable second line, and a third and final five-syllable line. One of the most important elements of haiku is that ideally there should be some mention, or at least a reference to the seasons. A good book on the subject that encourages daily haiku writing is Clark Strand's Seeds from a Beech Tree. Even the title to me implies a seasonal sensibility as I imagine all those birch seeds flying around in a spring breeze. Beautiful!

Scenes in your novel. Winter storms; mosquito-infested summer camping trips; constant autumn drizzle . . . all of these things can enhance both the mood and the action of a well-written scene. Not only can seasonal details add plenty of drama or humor, but they can also be what spurs the action: a summer cloudburst destroying a high-society wedding, or the fatal consequences of SADD (Seasonal Attention Deficit Disorder) in a Yorkshire-based murder mystery.

Writing an entire short story or novel set in one specific season. Limiting your timeline to one specific season can both tighten your pacing (e.g., a goal that must be achieved during an explosive summer abroad) as well as amplify your story's theme, e.g., end-of-year gift giving can be the catalyst for a wealth of character reactions, from over-the-top shopping sprees to deep and dark financial woes, all to be dealt with during a single season of joy.

Use the seasons to bookend a story or novel. Begin your story in spring; end in spring twenty years later. Choosing a significant, stand-out season to begin and end a narrative can provide a satisfying sense of closure for both your characters and your readers.

Give your characters passionate reasons to love or hate an individual season. We all have favorite times of the year and so should your characters. Consider how the seasons might affect your characters' health, happiness, and/or plans for the future. What if they need to travel at a certain time of year, but their choices are blocked when they encounter overbooked hotels and flights which then spark entirely new challenges and obstacles to overcome. Or perhaps they suffer from "anniversary syndrome," every year reliving some terrible event from a distant summer that leaves them devastated and struggling to meet any challenges at all.

Seasonal or holiday foods. In some of my previous posts I've written about how much I enjoy books that include descriptions of food or cooking. I like authors who feed their characters as opposed to those who insist their heroine save the world with only a cup of coffee to sustain her, and she drank it three mornings ago. Showing your characters eat or prepare seasonal foods for any given holiday or time of the year is a great way to add metaphoric as well as literal descriptions of culture and character attitude (positive and negative) as seamlessly as possible.

Bundle up, or dress down for comfort. Be sure to keep your characters warm or cool with appropriately seasonal clothing. Then again, if you really want to torture 'em, ensure that they've got it all wrong: a padded raincoat in August; a summer dress for a winter party. I know from experience how difficult it can be to not have the right outfit at the worst possible time. Years ago I traveled to New Zealand in the middle of their winter (American summer) and due to an airline snafu I ended up staying in hot, humid Tahiti for two weeks with a suitcase full of sweaters and socks. Fortunately it was easy enough to buy myself a pareu and a new bathing suit to beat the heat and not stand out like a misinformed tourist, but think about how much trouble you could create for a fictional character in a similar situation. Heat rash, anyone?

Seasonal Journals. There's nothing quite as special as a journal dedicated to capturing the beauty and essence of the seasons. Whether it's an art journal, a travel journal, or a nature or gardening journal, writing down your impressions and activities amidst the changing of the seasons is a journal to keep forever.

Tip of the Day: In case you're considering writing a holiday novel, children's picture book, screenplay, or a series of craft articles for magazines, keep in mind to write and submit your material well in advance of a seasonal publication date. Six months to several years in advance of your chosen holiday is never too early. Some tricks to help with writing about fruit cake while you're sunbathing can include decorating a section of your writing space with a miniature Christmas tree in July, or doing the same with beach towels, sea shells, and resort posters in the depths of winter. Never let what the thermometer reads hinder your imagination.

Monday, March 21, 2022

Creating With the Seasons, Part I: Artwork

Happy Spring!

For everything there is a season . . . A time to write, and a time to paint. A time to be totally inspired and a time to completely lose it--

Hello, everyone! Time, where does it go? It seems like forever since I've had "time to blog" or do much of anything else for that matter.

My time shortage started early this year when I found myself fostering a stray kitten at work. I was well aware that 2022 was the Year of the Tiger, but the last thing I ever expected to find outside my back door was a tiny, hungry baby cat. She was adorable and I would have done anything to keep her (impossible at this current point in my life). Despite my lack of space and ability to be with her as much as I wanted, I did everything I could over a six week span to get her healthy, playful, and ready for adoption. It was one of the most fun things I've ever done and I still miss her to pieces, but now that I know she's in good hands and safely onto the next stage of her journey, it's time to get back to work: writing, painting, and yes, blogging.

Prior to kitten-sitting I had been planning to write a post about my intention to draw and paint within a series of some kind for the year. I'd often heard of artists painting a series of pictures as a way to go deeper into a single subject or theme and also bring some unity to their work. The idea appealed to me as I thought it could bring more focus and discipline to my daily sketching practice, focus that would help me produce more finished, polished pieces. The trouble was I didn't know what kind of series I wanted to try.

I tossed around a lot of ideas, e.g., choose a building I liked in town and paint it multiple times from different angles; create a series of pictures based on the displays at the dinosaur museum; sketch people and dogs at the dog park. Unfortunately, none of these ideas felt like something I wanted to work on more than once. Yes, they were interesting enough on their own, but to paint over and over? I was worried I would become so bored after my third attempt to sketch the downtown Wells Fargo building I'd never want to open my sketchbook again. It wasn't until my husband suggested I try basing some work on the seasons of the year that everything fell into place.

Suddenly I had specific goals to pursue. My first step was to sit down and make numbered lists under the broad headings of each season, brainstorming subjects that fit each particular time of the year. After that I created lists of sub-categories, for instance, under the heading of "autumn" the first images that came to mind were acorns and squirrels, sweaters and scarves, bonfires, steaming mugs of tea, rainy skies, and beautiful trees. Once I had those things listed I continued mapping entirely new ideas for a seasonal series based on each subject, e.g., squirrels in summer, squirrels in spring, squirrels bounding through the snow . . . it eventually became quite endless.

Another advantage to this plan that I liked besides never having to decide "what to paint" again is that, at least for me, the seasons signify different emotional and spiritual states to explore. Themes such as renewal, growth, and letting go, topics I would usually write about are now themes I can express through color and composition, showing joy or even a little sadness through a seasonal lens. 

Right now my first attempts to go with the seasons revolve around my sketchbooks and a small painting-a-day practice. I'm currently concentrating on trees including the quick sketch I've put at the top of this post, but soon those trees will be full of birds, flowers, squirrels and even kittens. I only hope I have enough time each day to keep going!

Tip of the Day: Spring is in the air, a great time for both writers and artists to consider starting a nature journal. Always keep in mind that you don't have to draw or paint to create a beautiful journal. Instead of drawing, try some collage using items like seed packets, handmade papers, or fabric. Experiment with dipping leaves, sticks, or pods in ink or paint and printing your impressions onto your journal pages, or paste in the actual plant materials. Take photographs and add them to your words. 

And speaking of words, that's exactly what I'll be taking a look at in my next post: Creating with the Seasons, Part II: Writing. See you soon!

Wednesday, January 12, 2022

Finding a Path for 2022

© creativecommonszero / dreamstime.com

It seems impossible that it was exactly two years ago that I last met with my various writer's groups, weekly drawing classes, and my illustration groups. Two years! Since then I've done everything in my power to believe the situation was only temporary and that one day we would all go "back to normal."

Today I realized I won't be doing that any more. And that's not such a bad thing. In fact, it's fantastic!

Moving away from my hopes and dreams for "normal" means that I can be open to change and new beginnings. Best of all, I can do it my way without fear of getting it wrong. In other words, I can experiment. Hanging on to "normal" means being stuck. This year I want to run with scissors.

At the same time, I do want to put my scissors to good use, cutting out a new path of possibility and creative endeavor. Some of the projects I'd like to work on this year with a renewed sense of joy are:

1. Update my website to include my beaded jewelry for sale.

2. Publish The Abyssal Plain.

3. Submit my novel, Ghazal, and my novella, The Seaweed Collector, for publication.

4. Finish the first draft of one new manuscript (not entirely sure yet which one this will be).

5. Continue painting and drawing, but with more focus on working within a specific series. (More about this in my next post.)

6. And of course, continuing with this blog.

2022 is going to be my year of optimism with no looking back. I'm letting go of both the good and the bad experiences from the last twenty-four months and I'm looking forward to the future, whatever it brings. 

Tip of the Day: Vision boards have always been my go-to way of establishing my goals and plans for any given year. For 2022, however, I want to change things around a bit. Instead of putting together a vision board, I'm going for a vision quest. Rather than searching out a dozen or so magazine cut-outs to represent or symbolize things I already want, I'm going to let the images search for me. I want to discover things I had no idea I wanted or that even existed.

Starting with a blank journal, every time I come across a magazine photograph, headline, or article that speaks to me for even the most trivial or surprising of reasons, I'll cut it out and paste it on a page. I'll let the journal develop like a mysterious road map inviting me into unexplored, but much-needed territory. I can't wait to see what happens--I can't wait to see where I go. Happy New Year, everyone!

Tuesday, September 21, 2021

Make the Summer Last

© PublicDomainPhotos / Dreamstime.com

Today is the last day of summer and I'm not very happy about it. Don't get me wrong, I love the fall and its "season of mists and mellow fruitfulness," but this year I just can't seem to make the leap into duvets and cocoa. I want to make the summer last forever; phrases like "endless summer" sound perfect to my ears.
 
I wasn't always so eager to stay in summer mode or to keep wearing my standard summer wardrobe of shorts, T-shirts, and sandals for months on end. I used to genuinely look forward to watching the stores fill with fuzzy sweaters, coats, scarves and gloves while I wished the weather would hurry up and change so I could wear all those cozy items. One thing that I especially used to enjoy was the whole "back to school" vibe, but with online learning and nobody really in the classroom, I can't get excited about buying notebooks, pens, or art supplies. Even if the prices are crazy low (notebooks for 25 cents!) I find myself walking past the well-stocked shelves and thinking, nah, I don't need anything new.

My reluctance to leave summer probably has a lot to do with the fact that my every single waking summer moment seemed to be completely dedicated to work, both at my day job as well as with my creative life. Being consumed with work and productivity without the opportunity for much diversion meant I missed out on summer fun: no real vacation time, no trips out of town or overseas, no break in routine. Yes, I got a lot done, but, hey, I want to go to Paris!

These last few days have found me trying to make up for lost time with as much R&R as possible. Oddly enough, I subsequently discovered that I could be just as productive, maybe even more so, if I did give myself a break, such as:

  • Sitting on my balcony, staring at nothing, doodling in my watercolor sketchbooks: squirrels, goldfish, trees and leaves. The feeling that I didn't have to do this only made me want to do more of the same. Consequently I filled up an entire sketchbook in a couple of weekends.
  • Reading. Reading inspired me to jot down several new story ideas I wouldn't have discovered if I hadn't taken the time to, once again, sit on my balcony and dive into a stack of new books feeling wonderfully "lazy."
  • Going through old magazines at a leisurely and quiet pace has given me a huge, fresh supply of magazine cut-outs, suitable for both art and writing references.
  • Experimenting with a variety of gel, fountain, and brush pens encouraged me to freewrite several unexpected poems, snippets of dialogue, and scene descriptions I had no idea were out there waiting for me.
  • Walking for at least an hour in between writing, reading, and painting and with no destination in mind has given me time to think, ponder, plan, and regroup. Rather than wearing myself out, I became totally re-energized.
  • Restaurants. Because we hadn't taken any kind of holiday, my husband and I decided at the start of the month to go out to eat a little more than we usually do. Which then gave me extra time to read, paint, walk, and write without worrying about grocery shopping or clean-up. Delicious!

Time has become more precious to me than ever before. There is a lot I still want and need to do, but there's a lot I don't want to miss out on, such as feeling the sun on my face as I drink a second cup of jasmine tea with no particular agenda in mind. All good things that can be transformed into stories and illustrations once the temperature drops and I'm forced back inside my office-studio listening to the rain pummel the roof. It will be here soon enough.

Tip of the Day: Art journaling is a fun and easy way to make the summer last. Base your journal exclusively on what the summer of 2021 meant to you, or choose a favorite year from your childhood. Brainstorm or create mind-maps listing every special detail. Use your summer photos for sketch references. List and review any books you read. Write, draw, collage your memories and be sure to pour a cup of cocoa while you're at it!

Monday, January 11, 2021

Start a Creativity Journal for 2021

 

© creativecommonstockphotos / dreamstime.com

Happy 2021! What are you going to write or make this year? Whatever it is, a good way to get started and stay on track is to use what I call a "creativity journal." Unlike a journal that records general daily thoughts and events, a creativity journal is a dedicated space solely for dreaming, planning, and keeping all of your "how to" notes and supply lists in one convenient place.

The notebook I'm using this year is the "Celeste" edition from Paperblanks and is meant to represent "a Venetian morning alight with marvels." (Sounds good to me!)

The journal is a handy 7" x 5", just right for quick thoughts as well as more serious contemplation. I especially like the elastic band (not shown) attached to the back cover that keeps the journal closed when I'm not using it. I also like the creamy, high-quality paper and the nifty pocket glued to the inside back cover, great for business cards, receipts, and oh, you know, stuff.

One of the first things I like to do with my creativity journal is divide the pages into various sections and headings that I can complete, and refer to, throughout the year. Once these sections are in place I can go back to them at any time. For instance, I have sections for each month of the year with further areas to list how I plan to fill in the weeks. Other sections are specifically to log my ongoing progress with tasks such as manuscript drafts, painting series, or maintaining my blog. My final journal pages are left blank for all those deep, meaningful questions always at the top of my mind, e.g., What do you long to make if time, money, and skill wasn't a problem? Very important issues!

More journal sections I've included in the past that you might like to try using are:  

  • A place to record accomplishments, finished projects, sales and reviews.
  • A section for how-to notes taken from books or magazine articles.
  • Areas to paste in small motivational magazine photos and quotes.
  • Pages for baby steps: things to do on a daily basis that will take me to the finishing line.
  • A place to list favorite supplies or ones I'd like to try in the future.
  • Sales opportunity pages: lists of agents, editors, craft fairs, online sales outlets
  • Pages devoted to ideas for branding, asking myself, What's my message; what's my theme?
  • A place to list possible workshops, classes, books to read, or any areas I need to research in order to accomplish my goals.
I'm sure you have plenty of other ideas for things to include in your own journal, but the one section I most enjoy is my vision board. This is something I usually spread over two facing pages, or better yet, the journal cover itself (unless, of course, I'm using a Paperblanks "Celeste" journal and wouldn't dream of pasting on a single sticker!). 
 
To make a vision board in your journal, simply start by asking: Where do I want to be by the end of the year? What kind of creative life do I want that will express my highest potential? 
 
Rather than writing out your answers, go with your intuition and fill your board with collage and artwork. Use magazine cut-outs, glitter pen doodles, fortune cookie sayings, vintage ephemera, bits of junk mail, anything that visually portrays your goals for a colorful, exciting, and satisfying year ahead.

Tip of the Day: Go slow. Take your time with your journal and remember creativity is a process. You've got a whole year ahead to fill in your journal pages with lists, plans, and ways to make your dreams come true; there's no need to rush. Some years I've had to wait all the way until December to know exactly what it was I wanted or needed to do. The main thing is to look upon your journal as yet another part of your creativity, so make it a joy to use. 

Wishing you the happiest of journal discoveries for a bright new year!

Friday, August 28, 2020

Creativity Kit To Go

My Creativity Kit to Go . . . somewhere . . . anywhere . . .

Been anywhere exciting lately? No? Me either. So far this past week, the most thrilling outings I've had--other than scurrying back and forth between my apartment and the laundry room--have included: three one-hour walks through my neighborhood; two visits to the grocery store; and five round-trip car journeys to work. 

Over the weekend I decided that this wasn't a very inspiring, or productive, way to use my out-of-the-house time. Prior to isolation, I used to love carrying my sketchbook or writer's notebook with me absolutely everywhere: to the museum, the mall, the park, the community center, and yes, even to work (especially to work!). But lately when I've gone out, I simply walk or shop as quickly as I can before rushing back home to write or draw within the confines of my balcony. Without any nice air-conditioned cafes or comfortable seating areas (or the bathrooms to go with them) I've been reluctant to stand outside on the sidewalk to sketch under the scorching sun. It's also been pretty lonely wandering the deserted city streets by myself while the masked strangers I do pass cross the road the minute they see me. I miss my old life, I really do, but recently I've realized that I can't just wallow forever; hence my "creativity kit to go."

The purpose of the kit is to have some art and writing supplies always at the ready, whether it's to scribble in the park sitting on a blanket with a homemade ice coffee, or driving to an empty parking lot to write a quick short story in my car.

I'm still in the process of tweaking things, but for now my kit contains:
  • A 20-color set of my favorite Akashiya Sai watercolor brush pens. Twenty pens might sound like a lot, but they're slim and portable and having a full range of color to play with is just plain fun.
  • Two water brushes (for spreading and diluting the color from the pens): 1 large flat, 1 large round.
  • A mechanical pencil with a packet of extra leads. No sharpening required!
  • One kneaded eraser.
  • One black ink roller ball pen.
  • One black ink fountain pen with two extra ink cartridges. 
  • Two small sketchbooks: one for pencil and ink, one for watercolor.
  • One damp microfiber cloth in a plastic bag.
  • Two folded paper towels.
  • One 6-inch ruler (great for sketching buildings and practicing perspective).
  • A composition book for writing down ideas, freewriting, poetry, or simply journaling.
  • A literary magazine filled with stories, poems, and evocative photography. When taken out of context, the individual lines, titles, and pictures make for excellent writing and art prompts. And if you're feeling tired or out of sorts, hey, just read and renew your spirit for a little while.
  • Lastly, a pencil pouch to hold all the pens, pencils, brushes and erasers, with everything then placed in a small tote bag along with the larger items.
  •  
The best part of having my kit packed and at hand is that I can make the decision to go outside and draw and write without a ton of preparation. It also serves to remind me that I am still a writer, still an artist, still a creative being. I may be isolated, but I'm certainly not incapable of making the best of things. So who's with me? I'd like to invite you to make a kit of your own and to try and use it at least once a day, even if it's just to go into your own backyard. Let's go!

Tip of the Day: Writers and artists are used to working alone, but working in our current state of enforced isolation, complete with face masks, takes solitude to an entirely new level. It can be difficult to inspire yourself day after day, but a surefire way to keep the ideas coming is to try adding a prompt, written or visual, to each page of your sketch- or notebook.

Thursday, May 21, 2020

Things to Do at Home: Urban Sketching, Picture Book Style!

Baby werewolf in a coffee mug. Every home should have one!


Greetings from Albuquerque! And greetings from another day of, well, stuck in the same old place with no relief in sight. But stuck doesn't have to mean running out of ideas or things to do. Sure, there may be days (weeks) when it feels impossible to wring another ounce of inspiration out of lock-down, but, hey, we're creative people--we can do it! 

Like so many others in the world right now, here in New Mexico we've had to place our lives on hold while we wait for our health statistics to improve. The two things I personally miss the most are 1) the library, and 2) meeting with my various creative groups. I especially miss my art groups, but fortunately Albuquerque Urban Sketchers has done a fine job of staying in touch, encouraging members to keep drawing, even if it's just sketches of our home life. 

With the instruction of "drawing in place" however, comes the caveat of "drawing the truth." Didn't wash the dishes? Show us those dirty plates! Laundry piling up? We want to see! Be real, be honest, be exact. No fancy-pantsy Architectural Digest staging for us sketchers

I have to admit that when I read these "be honest" guidelines I wasn't particularly thrilled with the idea of using my sketchbook as a visual to-do list ("Mop that floor!" "Scrub those sneakers!"). Instead, I needed to shake things up a bit, color outside of the lines, as it were. That's when I thought of sketching at home from the viewpoint of a child: What if I crawled under the bed? Or, What if I lived upside-down on the ceiling? In other words, I could sketch out a picture book.

Some of the tips I considered to help me get into picture book mode included:
  • Thinking in terms of height and size: e.g., what do the items on my kitchen counter look like if they're above my head? Or, if I were only four years old, would a flight of stairs seem as deep as the Grand Canyon? 
  • Ask what a child would find interesting about a house. While the neighbors might admire a well-kept lawn, a child might notice that there's a gopher hole right in the middle, or that birds are building a nest in a rain gutter. Adults might disdain an old piece of furniture, but to a child it's a time machine or the entrance to Narnia.
  • The same goes for any ornaments or household objects. For instance, you could bring a cat figurine to life, invent new uses for a potato masher, or create an entire story around the items in your closet.
  • Explore small objects: egg cups, button collections, jewelry; even the junk drawer can be a source of interesting things to draw. 
  • Toys and their varied surfaces and textures can provide an infinite amount of sketching ideas. Try posing and arranging them in unexpected places. (For some of the best examples you'll ever see using this technique, I suggest viewing the work of Dare Wright--my absolute favorite children's book creator.)
  • Don't overlook your own backyard (if you have one, of course. For me it's a balcony, but I do see trees!).  Is there a mysterious, neglected part of your yard? Use it to the full. Make a "fairy garden" and sketch the results.
  • Study and copy patterns found on wallpaper, draperies, bed linens, or tile work. Patterns can be useful additions to creating a lively border or background to a picture book page.
  • Think back to your childhood home and/or the place where you grew up. Can you reproduce from memory anything you loved or that was unusual or visually interesting? Don't worry about quality, just get the general ideas down and worry about perfection later.
  • Even though we're temporarily cooped up for much of the day, it's important to get out and into the fresh air whenever possible. Can you visit the exterior of a museum or playground to sketch for a little while? How many details can you observe? Taking your own photographs can be a quick and easy option if you choose not to linger anywhere.
  • Go wild: if you're sketching your toaster, why not color it pink and covered with gold stars? Or replace the cars in your garage with a herd of antelope? 
  • Sketching for children is a good opportunity to consider your color palette. Rather than just aiming for primary colors or anything "bright and shiny," give some thought to mood. Are you feeling happy, sad, wistful, or nostalgic for your own childhood? Play with watercolor washes and draw over them later.
  •  Set up some reference files from magazine cut-outs or sites such as Pinterest.com, e.g., Toys, Children's Clothing, Play Rooms, Bedrooms, Animals.

Can we go play??


I must say it's been an eye-opener these last few weeks lying on the floor sketching chair legs--and not just because I discovered my base boards needed a good dusting, but because it's made me think seriously about illustrating a children's book from the perspective of an urban sketcher. Sketching is, after all, a way to explore ideas, collect data, and experiment with mediums, palettes, and composition. And where better to start than at home? 

Tip of the Day: If you find yourself getting bored with your own supply of pots and pans and coffee mugs, experiment with designing an entirely new set on paper. Draw a household from your imagination, one set on Mars or ancient Greece. Place your characters on a pirate ship or living in a log cabin. You don't have to be accurate, just playful. Have fun and let me know how it goes. See you next time!