|Sunday at the Albuquerque Rail Yards Market.|
Kuretake Watercolor, Sakura Micron Pen
How has your summer been? For me it went a little too fast. Thankfully here in Albuquerque it's still sunny and warm, but there is definitely a tinge of autumn in the air. Which means it's time to buckle down with a "back-to-school" attitude and get back to my main WIP, Ghazal. I also want to get back into a dedicated sketching schedule that fits in with all my other projects.
Two things that are currently helping me get there are my writer's group summer art journal project and my outings with Urban Sketchers. Starting with my writer's group, because we've been meeting at the Albuquerque Museum we've been able to stay inspired by all the amazing art exhibited throughout the halls and galleries. Several weeks ago we had the idea to set out individually to find a painting or installation that could be the basis of some of our art journal pages.
For me it was coming across an entire room devoted to the travel sketches of New Mexico-based architect, Antoine Predock. The extensive collection ended with an intricate proposal for a southern branch of the Palace Museum in Taiwan (unfortunately never realized), but I was so taken with the loose and easy style that led up to this final, intricate fantasy that I had to go visit the exhibition three more times over the next month. Predock's example and implied advice to scribble, go for color blocks and bold lines, and to follow what you feel about a place and its landmarks, rather than what you're "supposed to see" was exactly what I've been trying to achieve on my own for the last couple of years.
I kept all of that in mind last Sunday when I went with Urban Sketchers to the Albuquerque Rail Yards Market for two hours of morning sketching:
|Albuquerque Rail Yards--abandoned but not forgotten!|
Kuretake Watercolor and Sakura Micron Pen
The more I go out with the group the better I'm becoming at relaxing and losing my self-consciousness. I care more about the experience than the results, and consequently I'm drawing more than I ever have before. I love it!
|Kuretake Watercolor, Fine-line Sharpie, |
Akashiya Sai Watercolor Brush Pens
I then wondered how this approach could work with writing and I found it fit perfectly. For instance:
- Go BOLD. Don't hold back; don't edit, mince your words, or fear critique and censure. Let go and let the words flow.
- Similar to a "gesture drawing," capturing the essence of a subject rather than the details, try gesture writing. First thoughts, first attempts, first drafts contain a lot of energy--energy that can transform your voice and writing into something only you could write.
- Write hundreds and hundreds of pages. I was impressed at how many sketches Predock had made, many of them simply a few lines in the center of the page, but each was so strong and effective. His examples reminded me to not skimp on materials, ideas, or any step that will express where I completely want to go.
Tip of the Day: Thinking of editing your work? Whatever you do, please don't kill the sketch. Whether you're sketching towards creating a more polished painting, or freewriting dozens of vignettes and character studies for your novel, screenplay, or short story collection, don't go crazy with the polishing. Yes, weed out awkward phrases, lines, and repetitions, but stay true to what made you fall in love with your ideas in the first place. Stay loose.