#AtoZChallenge, C is for Core Values

Core values matter to me. I don't know how to live without values, even though they're far from popular, and ascribing to them lost me a chance to attend teacher's training college when I was eighteen and living in New Zealand. 

The interview was conducted in a stuffy little room with a hard-backed chair for me, and a long table with padded chairs for the twelve formidable professors asking the questions, questions I found confusing and difficult to answer. I was an American living abroad and still unsure about where I fit in, if at all. Finally, the head interrogator asked if I believed in teaching values. Ah, I could get this one, I thought, so I promptly replied, "Yes." 

I don't think I'll ever forget the look of horror that stole across those twelve faces. After a long, uncomfortable pause, the same woman asked, "What values?" Unaware I was committing career-suicide, I listed things such as not stealing, not hitting, forgiveness, not being cruel. You know: be nice! Duh!  

The panel remained grim-faced and after another interminable amount of time shuffling papers and shaking their heads, they calmly announced that I was a very unsuitable candidate for teaching and would be better off finding a job as a shop assistant. 

I don't remember what happened after that, how I got home, how I faced my parents as a reject and a failure. But later that week I took the panel's advice, went to work in a bookstore, loved it, and never looked back. Later, after saving enough money, I went on to get a degree in Spanish Literature from the University of Auckland, all the while thanking my stars that I didn't have to spend my life in a value-free classroom filled with biting, hitting, mean little kids raised without values. Whew! Saved!

I still don't understand what is so awful or backward about having values, and quite frankly, I hope I never do. Admittedly, what I consider to be my values has shifted, changed, and matured over the years, but I will always hold on to an essential code of ethics that makes me, me. 

Which is why I like using my journals, and especially my art journals, to learn more about my values and what I believe in, and why. It's not always an easy process. But after deciding  on today's topic, I realized my core values can easily distill into one important core belief: Make every day count. Make every day matter.

That's it. Every day I'm grateful to be alive, and every day I realize how lucky I am to still be alive. So I do my best to make my day matter with not only journaling, but writing, drawing, helping, encouraging, fulfilling my day-job role with enthusiasm, and most of all, being as aware as I can be of the world around me. It's a good world, and I value it, deeply. And I want to thank you for being part of it. Really and sincerely.

Oh, and why a horse with the Eiffel Tower on a page of values? I simply gathered from my collage supplies what spoke to me: maybe strength, service, enjoy the ride? That's the beauty of art journaling--you never know what will happen, but you can always make a connection, if not now, then down the road. It's all good. See you tomorrow.

Tip of the Day: Using your journal, and especially an art journal, is a wonderful way to connect with your personal, professional, and spiritual being. Whether or not you want to call any of it "values" (you can just call it "The Important Things About Being a Human" if you prefer), creating a dedicated journal solely for your core-self is a valuable exercise (no pun intended) for discovering your very own road map to life.

#AtoZChallenge, B is for Buy a Butterfly

Happy Saturday, all! The perfect day for some art journaling and for today's topic: Buy a Butterfly, or, Sometimes it's Good to Shop.

In yesterday's post I emphasized the importance of using as much FREE STUFF as possible for your journal, but today I'm singing the praises of treating yourself to a trip to the hobby-, dollar-, thrift-, or art supply store. Nothing fancy, mind you, but every now and then your journal could use a little store-bought item or two. And taking yourself to buy some supplies makes the perfect Artist's Date.

My favorite way to do this is to set a budget of about $10 - $20 max, and then drive off with no expectations whatsoever, just an open mind and a sense of adventure. Some of the things I'll look for include: 

• Bags of collage goodies: from paper scraps to die-cut card pieces, such as the butterfly featured above. I've bought collections that are based on a theme, such as beaches and ocean-side designs, or vintage clothing and Victorian sayings. Other bags have included a variety of fascinating but totally unrelated items; one bag I bought even had tiny little clothes-pegs and safety pins in the mix. None of these bags cost more than $5.00 and they were jam-packed with inspiration.
• Old and very-bad-condition books. These are excellent for tearing up and re-using the pages of text and/or illustration for journal backgrounds. (Note: if the book isn't completely falling apart, it can be turned into your actual journal as an "altered book.")
• Bags of ribbon scraps.
• Pre-cut fabric quilting squares. These are usually bundled into small color-coordinated packages.
• Stick-on pearls, rhinestones, and other blingy-type thingies.
• Jewelry-making components such as pendants and miniature printed pictures for inserting into clear pendant-cases. (I don't know how to exactly describe these pictures, but they're wonderful for collage. Each sheet usually has about 20-30 different designs.)
• Stickers! So many to choose from!
• Scrapbook pages sold in tablets or as individual sheets. (The tablets can be pricey, but they're often on sale, especially at the discount stores.)
• Origami papers.
• Craft magazines. Good for inspiration and cutting up for a wealth of words and images.

And that's just for starters. After I come home with my treasures I usually sort them into different categories of size, theme, or color. I then keep everything in a series of cigar boxes for the smaller pieces, and photo-storage boxes (decorated of course!) for the larger bits.

On today's page I've used a background of watercolor crayon, some leftover strips of a scrapbook page, four pieces of die-cut card from a purchased package, and a lovely quote from a lovely member of my writer's group. She had included these in our Christmas cards a few years back and I always knew I'd use mine in some meaningful way down the road--like today. 

For the written part of my journal, I'm going to continue with "I remember. . ." recalling the time my first-grade teacher brought caterpillars to class and we placed them in an aquarium filled with leaves and branches. I'll never forget watching the "worms" (I was a rather squeamish child) form their cocoons, and then the wondrous day when the butterflies emerged to fly out the window. Some things stick with you forever, with or without the glue-gun.

Tip of the Day: The next time someone asks what you'd like for a birthday or holiday gift, why not suggest some supplies for your art journal? I love it when someone surprises me with a grab-bag of notions and "puzzle pieces." Not only does it give me some interesting insights into how other people think (i.e., why they chose particular items over others), but I enjoy the challenge of using things I may not have picked out for myself. Wishing you all a creative weekend!

#AtoZChallenge, A is for Art Journal

Hello, everyone, and welcome to the first day of the A-Z Blogging Challenge! As promised in my last post, my theme for the 2016 A-Z will be art journaling, with a new entry for every day of the challenge.

My plan is to base each of my journal pages on a letter of the alphabet, giving myself about 30 minutes a day to put together a visual page (the part I'll be sharing) from the easiest and cheapest materials available, and another half hour to freewrite about what I find in the images. All along the way I'll also be providing tips and ideas for you to create an art journal of your own.

But before we begin: If you're a first-time art-journaler, please don't think you need to go out and buy tons of supplies. One main point I want to demonstrate over the month is how little you need in both materials and time: an hour at the most broken up into several 15- or 20- minute segments, a journal or notebook, some glue sticks, a pair of scissors, some junk mail/every-day ephemera ("The Moon" is torn from the bottom of a sheet of postage stamps), old magazines, some colored pencils, felt tip markers or watercolors, and optional decorative papers which can range from gift wrap to plain papers you paint and decorate yourself. Chances are you probably have everything at home already; even if you don't have a journal, you can just use individual sheets of paper and staple, sew, or tie them together at a later date.

So what have I got here for this first entry? Scraps! For instance, the green piece of paper in the background up there is a leftover from cutting out some star-shapes for another journal project. I kept it because I liked the unintentional design and also because I'm a great fan of "waste not, want not." The little colored pencil piece I glued in beneath it is a practice drawing on vellum from last year that seemed to fit the overall design in both shape and color--especially as I could then title the piece "A is for Apricot"! And that, along with "Reach for the Moon" is going to be my writing prompt for the day. 

Hint: Apricots always remind me of my childhood in California's San Fernando Valley. A great way to start off your art journal, especially if you're feeling a bit stuck or uninspired is to begin with those wonderful words: "I remember. . . "

Tip of the Day: Did you know cabbage leaves, kale, and collards make excellent journal pages? Oh, okay--April Fools!! See you tomorrow with the letter B.

A to Z Blogging Challenge Theme Reveal: An Art Journal Page a Day

Hello, Everyone! Today I'm revealing my A to Z theme: An Art Journal Page a Day. For anyone unfamiliar with the challenge, the idea is to blog every day during the month of April except for Sundays, and to base each post on a letter of the alphabet. 

This year I'll be creating a small art journal for the month along with tips so you can try something similar yourself. I can't promise it will be a fantastically beautiful journal (see Help, I Hate My Art Journal!), but it will be fun, and it will be a good discipline to collage and journal on a near-daily basis.

To get us all in the art journaling mood, I thought I'd share some pages from past journals. 

I used an actual piece of papyrus on this page. I'm not sure why I associated
Paris with Egypt, but it might have had something to do with the Louvre.
Whatever, to me art journaling is about emotion, not precision.

I found these Betsy McCall paper dolls on line.  I loved
Betsy as a child, but she was a difficult role model
to live up to. My mother had an even more difficult time
trying to understand why I couldn't be as band-box perfect
as dear Betsy, even when I explained to her Betsy was a doll, while I 
was a real little girl. The story of our entire relationship.

This particular collage was in memory of my grandmother. The
picture of the little girl isn't of  her, but reminds me of her all the same.

I put these maps together for a short story I was writing at the time.
My favorite technique was coloring in the black-and-white photocopy of rocks
and sea with colored pencil.

I created this spread after reading a novel set in Africa.

I made this page after I finished writing my novel, Overtaken. 
The bracelet had been one of my  initial writing prompts 
that fueled much of the story.

After Overtaken was published, I wanted to do something with the
old manuscript pages. So I did this.

Using old, failed, watercolors in a new way.

These two pages were created months apart. I was first intrigued enough by
"The Lady in White" to consider using her as the model for a
possible novel set in Egypt. Then when I came across her again in an orange
sweater, I knew there really was a story to write. Currently it's still very much
a WIP, but I'd like to return to it one day. These pages
are a good inspiration and starting point.

So start collecting your junk mail, magazines, ribbons and bows and get ready to journal. See you on April 1, and don't forget your glue sticks!

Urban Sketchers for Writers, Potters, Designers . . . Everyone!

I don't think I'm alone in being a writer who's just as passionate about my artwork as I am about my writing. Clay, collage, pencils, watercolors, beads . . . they're all poetry to me. Each one of these mediums and disciplines informs and inspires my writing life, and I can't imagine dropping any of them.

But one of the things I've struggled with for a long time is finding the right kind of art group, one that matches my wonderful writer's group: a free-form meeting of women with interests that range from screenwriting to structured poetry to pithy vignettes. When we meet every two weeks, it's to write, not critique. We freewrite for about 30-40 minutes, and then we read aloud to each other. Our very informal meetings conclude with conversation and a chance to catch up on each other's personal news. It's a great system, and I've been trying to find that same kind of experience in an artistic environment. Enter: Urban Sketchers!

I discovered Urban Sketchers while I was searching Pinterest for examples of travel journal lay-outs. Over and over my favorite illustrations came from Urban Sketchers' members and I was uber-curious to find out who they were. A few Google searches later, and yay, I found a chapter here in Albuquerque.

I've been attending their various events off-and-on now for about nine months, and I love the way the format follows that of my writer's group: a group of enthusiastic people gathering in an interesting place; setting off on our own to sketch; then meeting up again to share and discuss our morning's work. I particularly enjoy the positive, warm atmosphere of viewing the various sketchbooks without tearing them apart in search of perceived flaws or "mistakes."

I've grown to love Urban Sketchers so much that I want to spread the word to everyone I know--not just my artist friends, but with my writing friends, too, as well as those who are photographers, potters, jewelry makers--everyone. There's so much to be gained from being with creative people regardless of whatever medium you work with. For instance, even if you've never dreamed of doodling in the margins of your latest draft, you can still: 

• Take note of settings. Many of the places we've sketched in are venues I've never been to before. Making notes on all the fresh sights and sounds and smells, recording what I liked about the place (and what I didn't) has all gone into my sketch journals along with my drawing.
• Take note of details: Architecture, clothing, people watching. So much of what makes a story come to life depends on the details. Taking a few hours to really concentrate on every single little thing can only add to your next story project.
• Photography. Okay, let's say you really, really don't want to draw. Take pictures instead! Who knows, photography may become an entirely new vocation for you, one that fits your written work perfectly.
• Artist's Date: Before, during, and after. Most writers I know find the hardest advice to follow in Julia Cameron's The Artist's Way to be taking the "Artist's Date," probably because it involves a) going by yourself, and b) treating yourself to something fun. Writers are notoriously mean to themselves, especially when they feel they haven't written enough or to the quality they expect on any given day. Hence the need for the artist's date. Urban Sketchers allows you to start out in the security of a group, but then sends you on your way to discover your own unique path for a few hours. Take advantage of the time alone to do something that pleases your writer-self while feeding your entire creative being. (And you can buy yourself a treat somewhere along the way too!)
• Meet creative people. Who knows? They might be writers! (Or want to read your books, buy your jewelry!) Seeing the work of others is always inspiring.
• Get out of your comfort zone. Sketching, especially in public, might seem scary if you've never tried it before. But if you can get over your initial fear of "What will people think?" wow, imagine how confident you'll be pitching a manuscript, or cold-calling on bookstores. Or even starting a new manuscript!
• Sketching is meditative. Remember how much fun you had when you were a  little kid and able to zone out with your crayons and paper? Believe it or not, you were meditating at the same time. Giving yourself that same childlike joy for a few hours now and then can help you solve a myriad of character and/or plot problems. 

Some samples from my own meditations over the last two months include imagining myself as a cave-dweller at the Maxwell Museum of Anthropology:

Going back even further in time at the Natural History Museum:

If you do decide to visit your local Urban Sketchers, some essentials you'll need to bring along are: a collapsible camping-type stool, a set of color pencils (much easier and cleaner than fussing with watercolors or felt pens), a pencil sharpener, a sketch pen that you also like to write with, a hardback journal or sketchbook, hat and/or sunglasses, optional camera. Minimal tools for maximum fun.

Tip of the Day: Urban Sketchers is a world-wide phenomenon. Any Internet search will help you find a group somewhere in your area or close enough to travel to. Toss out your inhibitions and tag along--I know you'll be welcome!