Yesterday I was ready to give up on NaNoWriMo, as in seriously QUIT. Why, why was I torturing myself to write these stupid 50,000 words? Am I so devoid of writing projects that I have to take on a task that wasn't even fun?
Fortunately, that was yesterday. Today I'm feeling a whole lot more positive and ready to keep going. The secret was in realizing several things:
- First, nobody is making me do this. Nobody. There is no contract or deadline awaiting me with dire consequences if I don't write. I've won enough previous NaNoWriMo certificates to know I can write 50,000 words in a month. I have nothing to prove here.
- If I don't reach the 50K mark, so what? I'll have 10 or 20K extra manuscript words to work with that I didn't have before November 1. And that's a good thing.
- Lastly, I was taking my manuscript way too seriously. Demanding that it make perfect sense--right now. That all my characters be fully developed and action-oriented, intent on weaving their way through a brilliant plot line that was simply amazing, full of shocking twists and turns with a stunning conclusion. Except NaNoWriMo doesn't work like that, at least not most of the time. (Note to self: neither does any first draft. Sigh.) Asking that it do so was setting myself up for instant failure.
So here's what I did to beat the NaNoWriMo blues: I decided to be willing to get lost in the woods. Crazy plot line? Just follow where it does go, and if I don't like it, write "stuff happens here" and carry on writing a new and more interesting scene. Characters I can't stand? Get rid of them--send them to China or off on safari where they get eaten by lions. Bored with the whole process? Write about things that interest me, not what I think is "supposed" to go in the manuscript because I want it to fit a particular genre or style.
I'm not going to quit. How about you?
Tip of the Day: One of my favorite ways to infuse any flagging manuscript with new life is to grab a handful of writing prompts from old magazines. Article titles and headlines are perfect. Get your scissors and start cutting; throw what you find in a jar and then pick one for every new page you start. Here's a sampling from my current collection: "Warm Kebabs for a Cool City." "The Human Face Behind the Makeup." "Last Stand in the Serengeti." (Uh-oh, I guess those lions really did get my unlikeable characters . . . ") Good luck; happy writing!