|Playing with ideas in my sketchbook.|
Watercolor and ink.
Now that Camp NaNoWriMo is finished, I've been focusing on "what's next?" I have plenty of choices, including: continue marketing my current novel, The Abyssal Plain; revise and edit my work-in-progress novel Ghazal; write some more short stories. They're all important, and I don't want to neglect any of them, but the one thing calling me the loudest is to illustrate the picture book I started writing in my "spare" time last year.
To get my head (and studio) together, I've narrowed down my art supplies to the materials I truly love. Items that no longer serve me have all gone to good homes at the many cultural and recreational centers around town. The list includes charcoal, acrylics, pastel pencils, and a dozen other dubious experiments that just aren't "me." It was vital that at one time or another I explored these many types of paints and pencils; if I hadn't, I would never have found my genuine voice, and how sorry I would have been to miss that opportunity!
But now I know what I like and what I don't, and for today's post I thought I would share the supplies I'm using for this current stage of my art journey, beginning with:
1. Sketchbooks! I could talk about sketchbooks forever, probably because they double so well as manuscript and other journals. I probably have too many going at once (seven, with one more waiting in the wings), but I can't resist the various bindings, sizes, and papers. Each one is endowed with its own special qualities that inspire different stylistic choices and subject matters. My favorite brands are: Strathmore, Stillman and Birn, Moleskine, and Bee Paper Products.
2. Akashiya Watercolor Brush Pens. I discovered these gorgeous pens on the last day of my Taiwan trip a couple of years ago. At the time I only bought four colors: black, gray, green, and reddish-brown. When I got back home, I was so impressed with the strength of the colors that I had to find where I could buy a full set. It wasn't easy, but thank goodness for JetPens.com. What I love best about these pens is the tips are actual nylon brushes with tons of spring and sensitivity and the color they release is downright juicy. I've read several reviews complaining about the lack of light-fastness, which so far hasn't been a problem for me. Admittedly these pens are not for creating wall or gallery art, but neither are many brands of watercolors unless you buy top-of-the-line professional grade paints. Despite this possible failing, I highly recommend these pens for sketchbook use as well as any finished art intended for printing, such as greeting cards, or book illustration.
3. Water brushes.
A paintbrush already filled with water: what could be better? I particularly like the way these brushes work with the Akashiya pens; I can lay down some color then diffuse it with a few brushstrokes to create a myriad of effects. Water brushes can also be used with traditional watercolors or water-soluble pencils, great for travel. My only warning is that if you're planning to take them on an airplane, I suggest you first separate the water barrel from the brush to avoid any air locks, otherwise you'll never get the pieces apart again. (Stated from sad personal experience.)
Sumi ink is my go-to for anything inky involving a dip pen or brush. I love the sheen, the permanency when used with watercolors, and the slightly embossed feel of the ink when it dries. On the negative side, sumi ink can be very, very messy and difficult to use if you want a precise, architectural-style line (I usually don't), and it's entirely unsuitable for any travel or outdoor sketching. For these situations I prefer using Tikky Rotring or Le Pen Drawing pens which contain excellent and smooth waterproof ink. My other two choices, a Pentel Stylus pen, and a Pilot super-fine nib fountain pen are fantastic drawing instruments, but the ink isn't waterproof, meaning I have to either forego watercolor, use colored pencils, or draw the lines in later.
4. Dip Pens.
My first choice for drawing thick, organic lines is always a bamboo stick pen. The tips blunt a little faster than I'd like, but they're not expensive to replace. For a more delicate approach, any brand of metal dip pen is good--they all work! What I like about dip pens is their tendency to be unpredictable which suits my style and sense of adventure. I actually like the random ink splatter, broken line, or unexpected "happy accident" that can provide a new direction and fresh life to a piece.
6. Synthetic Brushes.
I'm a vegetarian, but I do wear leather shoes and carry leather handbags on occasion. It's the same with my paintbrushes. I have some lovely Chinese real-hair brushes, and one cost-the-earth sable brush, but my first choice will always be a good synthetic. In the past they had a questionable reputation, but the quality has improved so much over the years that I find them better and easier to use than real fur. Princeton is my brand of choice, and I think what I like best about them is the way they make painting feel like writing, something that comes the most naturally to me.
7, Graphite Pencils. Blackwing. I'll say no more. Just try these pencils.
8. Canson Watercolor Paper.
When I'm not using my sketchbooks, I like to have a good piece of paper for both practice and finished artwork. Canson paper is ridiculously inexpensive--and very good! The paper comes in several sizes and is excellent for more than just watercolor, e.g., oil pastels and graphite. A very economical choice for both fun and serious work.
9. Arches watercolor paper.
This paper is my absolute No. 1. And it is pricey. Like, truly expensive. And totally worth it. And yes, I have messed it up, had to throw it away, and start all over again. All part of the learning curve. Sigh.
My Gelli Printing Plate has been the most fun and helpful tool I've come across. I use it to make random backgrounds for my work: spread a little acrylic paint on the surface (I know I said I don't like painting with acrylics, but they're a must-have for the plate. Gelli recommends using the cheapest, runniest, bottled brands with a high water content for easy spreading.), make some random marks with a paintbrush or Q-tip or whatever's handy, place a piece of paper on the plate, run your hands over the paper, and there you go--instant picture!