Why I Write

I love bringing home old magazines from the library. They're where I find the majority of my writing prompts, drawing references, and materials for collage and art journaling. But sometimes I just love them for the articles, especially when I come across a copy of a magazine I don't often find, such as the December 2010 copy of Poets and Writers I was able to salvage over the weekend. 

One essay I particularly liked in this issue was titled "Why We Write" by Laura Maylene Walter. In the piece, Walter outlines her struggles and successes as a short story writer. In one paragraph she lists some of her reasons for continuing to write despite numerous rejections and setbacks: for practice, for fun, to discover, to explore, to play. And also: "I wrote because I was never more content than when I was sitting quietly at my writing desk, churning out pages."

All of these reasons, and more, resonated with why I, too, write. The article got me so inspired that as soon as I had finished reading I had to run to my journal and create my own list:

Why I Write

• To find out what happens.
• Because if I don't write it down, the story keeps me awake at night.
• I love the Zen quality of a daily discipline.
• I love being in a community of writers.
• I am drawn like a magnet to journals, pens, pencils, sketchbooks, and anything that makes a mark.
• I enjoy the problem/puzzle-solving each new story provides.
• Writing gives me a voice.
• Writing provides a platform for so many spin-off activities: creating book covers and book trailers; making tote bags, T-shirts, and bookmarks; illustrating my scenes, settings, and characters. So many avenues for fresh creativity.
• Writing, aka "creative daydreaming" keeps me from needlessly (and unproductively) worrying about "real world" problems I can rarely, if ever, change.
• I can live vicariously through my characters--all those clothes, all that travel!

Going over my list, I was a little bemused that I hadn't mentioned things like "I write to sell books," or "I want to make tons of of money," or even, "to be super-famous." Maybe I should be thinking about those things, but that just isn't me. I write because I have to. On top of that, I can't think of a better way to use my time than to write, or to create artwork and other projects based on, or related to my writing. Which reminds me, I have a story to start from yet another series of magazine cut-outs I just collated . . . see you next time . . .

Tip of the Day: You don't always have to have a reason for writing or for any other creative outlet, but sometimes it's helpful to clarify exactly why you've chosen to do what you do. Set aside some time and journal pages to write down your answers, and be sure to leave an idea or two in my Comments section!

The Value of a Five-Day Challenge

My inspiration for writing today's post comes from a great magazine out of Australia that I discovered via my writer's group: Womankind. It's a lovely mix of artwork, personal essay, and interesting articles on all sorts of things, from the meaning of happiness to living in Tuscany (which I'm sure would make me pretty happy.) I bought my first copy several weeks ago, and one of the articles that struck me the most was a collection of progress-reports from readers who had taken a "Five-Day Creativity Challenge." When I first saw the heading of "Five Days," my initial reaction was one of skepticism. Like, "Anybody can do five days of something. Try NaNoWriMo or the A-Z Blogging Challenge if you really want to test yourself and suffer!"

But after I'd read the various entries on what readers had done with the challenge, I became intrigued: five days seemed like an excellent amount of time, just right for tying up loose ends starting something new, or returning to a neglected project. It seemed exactly what I needed to motivate myself into finishing half a dozen little personal projects I had set myself over the years and then subsequently abandoned in favor of bigger, more important efforts.

The first thing I did to start off in the right direction was to purchase the storage basket pictured above. I liked the way the inside fabric was printed with old letters and stationery, and I liked the way it was already labelled "storage."

My next step was to gather up the six projects that have been driving me nuts and making me feel guilty each time I start something new. I put some of them in plastic bags for safe-keeping, and then put everything into my basket.

Then I chose one project to finish:

The story behind this sketchbook is that I initially ruined it before I'd even sketched on a single page. I had read in an art journaling magazine that a good idea was to a) put watercolor washes down on every page before starting anything, and then, b) spray the pages with fixative. The watercolor washes were a great idea. But the fixative? That was a very bad idea. Oh, what a bad idea. The plastic-coated pages were completely resistant to most media. The only thing that sort of worked was watercolor pencil, but when it came to adding any detail, forget it, as I found out when I tried to draw a little cardinal and the beak just kept growing bigger and bigger. To salvage whatever I could, I started collaging and experimenting, and thus a little book of sorts began. I called it my Silly Little Book of Silly Little Birds:

I actually found myself enjoying the challenge of how to make those impossible pages work one way or the other, but after completing about 32 out of 56 pages, I just stopped. I'm not sure why. Maybe I became bored with birds, or I finally grew to hate those slippery-slidey pages to the point of admitting defeat and quitting. That is, until the five-day challenge!

Last week I gave myself five days to work solely on silly birds, several pages a day, with the goal of completing the book once and for all. Here's a small sample:

I finished on Friday, and now I only have five projects left in my basket. I might not be tackling another one for a few weeks yet, but in the meantime, the guilt over my little forgotten birds is gone and my "creative burden" is definitely a whole lot lighter. Feels great!

Best of all, I learned a lot from working on this project: I learned I could persevere through difficult conditions; I learned about picture-book layout, something that has always interested me; and I learned I really love birds! So much so, that I'll be adding them to many more sketchbooks and paintings in the future. A whole new take on Anne Lamott's classic Bird by Bird, for sure.

Tip of the Day: Five days might not seem a lot, but it's amazing how far they can go toward helping you start, finish, or continue a creative project. For example, how about a Five-Day Query Letter Writing Challenge? A Five-Day Outlining Challenge? Or a Five-Day Beading Challenge? Short and sweet and infinitely practical. Let me know how it goes for you.

Goal Check-in: One Book, One Picture at a Time

For today's post I thought I'd share how one of my goals for the year is going: Use one art book at a time completing ALL the lessons.

The book I'm starting with is How to Draw Buildings, by  Ian Sidaway. I chose it for a number of reasons: 

• It dovetails nicely with my other art goal and theme of drawing and painting doorways, especially those connected with my current WIP, Ghazal.
• It give me a good foundation (no pun intended) for my weekend outings with Urban Sketchers.
• I really, really want to learn how to use perspective better/correctly.
• Being familiar with buildings and architectural detail will help me with some ideas I'm tossing around for illustrating picture books.
• The more buildings I draw for practice, the easier it will be to sketch in my travel journals.
• And more than anything, I just love buildings!

I particularly like the way this book is structured. Each lesson is divided into three: first is the main example with several pages of instructions followed by the suggestion to "Try Another Medium," and ending with a third prompt, "Try Another Building." 

The first chapter, and the one I've completed, is all about drawing simple small houses, beginning with graphite on white paper. I used a new 9 x 12 inch Strathmore Recycled 400 series sketchbook I bought for just this purpose:

Once I'd finished the drawing, I then moved on to Part II: try another medium. For this I chose to use an ultrafine black Sharpie on a heavier sketchbook page (Strathmore Visual Journal) that I had already painted with a background using my Japanese Kuretake Gansai Tambi watercolors:

The last section, "Try Another Building" provided a photo of what the book called a "stern little house," which it certainly was. For this piece I chose a sheet of student-grade watercolor paper that I had previously experimented on last year by placing a piece of crumpled wax paper face-down on the surface and then ironing the whole thing with my craft iron. After removing the wax paper and letting the watercolor sheet dry, I then painted it with a light wash of Prang watercolors (my super-favorite, ever-so-cheap but excellent brand for art journaling, etc.). The result was an interesting resist pattern resembling bare tree branches that also matched the photo in this last part of the lesson. 

I drew the house and filled in the "trees" with Faber-Castell Polychromos color pencils and white charcoal--doing my best to make the whole thing as stern as possible.

So there you are, three houses, three ways, and all ready for the Three Little Pigs to move in! Another interesting option might be to write a story or vignette based on each of these settings. Anybody want to try?

I've set aside Sunday afternoons to be my "class time" using this and my other how-to books throughout the year. Next Sunday I'll be moving on to Lesson 2 and two-point perspective (the example shown on the cover of the book above). Already I'm feeling nervous which is exactly why I'm using this step-by-step approach. No more just buying books, looking at the pictures, and working on the "easy" parts. Instead, I'm "building up my courage" to go straight through from cover to cover, lesson to lesson. And because I've put that in writing, I'm now honor-bound to stick to my goal! (Taking a deep breath.)

Tip of the Day: What difficult phases of the creative process do you find yourself frequently avoiding and therefore never learning to the degree you want? For me it was never attempting the "advanced" lessons in my art and other reference books. I've found that breaking a task down into easy steps is a good way to overcome and/or work with anxiety. For instance, gathering all your needed supplies for a project a day before you start can be be one step. Setting a timer to work on a portion of the project for just twenty-minutes at a time can be another. Whatever you do, keep in mind that the only way to learn anything is with steady practice, not "instant genius absorption." Good luck and have fun!

Make Every Day a Vacation

2015 was so travel-filled for me that I'm actually looking forward to staying home as much as possible this year. There are dozens of fun things to do in here in Albuquerque and never enough hours in the day (or night) to fit them all in. But as much as I love seeking out new museum displays, creative groups, or shops and restaurants, it can also be too easy to to become complacent and take them for granted. This year I want to change that.

One of the things I was most aware of while I was traveling was how different everything felt to me--from the air I breathed to the way the light struck a windowpane, and how quickly I stopped noticing those little nuances once I was back home. Around Christmas-time I was desperate to know why that was. 

Beyond the obvious answers such as, "Well, you don't have to wash the windows when you're on vacation," or, "Each day abroad is a chance to re-invent yourself," I realized that when I travel I put a lot more effort into what I can only call mindfulness, probably because I know it might be my only chance to experience that particular travel destination ever again.

So my major question for the year is: How can I cultivate that same travel mindset here at home and not just when I'm riding a tour bus? How can I make every day a vacation day? To get the ball rolling, I made a list while I was writing out some morning pages and here's what I came up with.

Have afternoon tea. One of my favorite things to do when I travel is to have afternoon tea either in a tea shop or right in my hotel room. I especially like trying out different flavors and brands that are foreign to me. Lesson learned: relax, savor, and enjoy some new tea brands (yay, oolong . . .).

Get up early, even when I don't have to. When I travel, I can't wait to get up and get out the door. All those places to see! Here at home, struggling to wake up before it's entirely necessary can be torture, especially in the winter. Then I remembered how much I love those fancy little shampoos and body washes the hotels provide. Stocking my bathroom shelves with spa toiletries has made my mornings a lot easier to face and far more luxurious--just like when I'm on vacation.

Sketch, sketch, sketch. Take photos. Of anything and everything. Sketching and photographing my surroundings lets me to see the world with new eyes--even the places I already know. Having a sketch plan or goal before I leave the house each day reminds me to take the time to look.

It's okay to draw like a little kid. When I sketch in my travel journal, I don't care how it turns out. I'm just going for first impressions and ways to capture the memories. The same applies to my daily journal entries. It's a viewpoint that cuts out the angst and makes creativity a joy to pursue and express.

Love the day without expectations. It's impossible to know in advance what you'll encounter in another country outside your own, yet, somehow, that never seems to matter. As far as I'm concerned, if it's a vacation, it's all good--exactly how I want to experience my day wherever I am.

Trust I am being taken care of. Goal: Give up daily worry, anxiety, everything negative that keeps me fretting and wastes my energy. The bus driver knows where we're going--so let him drive. My one and only job is to enjoy the view.

Eat well, eat small. Thanks to my vegetarian lifestyle, it isn't as easy as it should be to find a wide array of food choices when I'm on the road. And that is probably a good thing--less chance of stomach upsets, less chance of over-eating, and less chance to spend/waste money on not-so-great meals. This year I want to stay more conscious of only eating when I truly need to, rather than because "it's so yummy I can't resist and I don't care about stupid old calories." 

Walk more. Walking in Albuquerque (at least for me) isn't always a great idea: lots of traffic (and drivers who run red lights), broken and uneven sidewalks and streets with potholes, and the neighborhood shops aren't close enough to home to bring back groceries, etc. on foot. What we do have to counter that, though, are beautiful parks, open-air shopping malls, and a number of museums worth visiting throughout the year. It's no problem to drive to these places and then go for a good long walk once I'm there--with my sketchbook in hand. A wonderful way to stay in a holiday mood.

Travel light. I've always been a big fan of down-sizing, minimizing, and de-cluttering, but even when I think I've done my best, sure enough I find something more to give away, toss out altogether, or purchase yet another storage bin for. This year I am going to put a lot of thought into what I buy, asking myself: will it fit into my suitcase (i.e., my house/life) and how heavy will it be? And do I really need it? The answer, just like when I dithered over purchasing an entire set of Portuguese tiles last year, will probably be "no." And that's fine with me.

Tip of the Day: Whenever I travel I like to immerse myself in learning about the history, the food, the art, the entertainment, and of course, the people of each new place. One way to make every day a vacation is to do the same in my own backyard. A concentrated "course of study" about subjects as diverse as New Mexico's santos or native plants will go a long way to make being at home more interesting to me. I'm sure you'll find just as many fascinating topics in your own home town!

Why I Love Writing (and Drawing) in Cafes

This past weekend found me in two cafes: Saturday drawing and painting in the Albuquerque History Museum cafe, and Sunday writing with my writer's group in a bookstore coffee shop. Bliss! 

Ever since I first read Natalie Goldberg's advice in Writing Down the Bones and Wild Mind about writing in cafes, I've been hooked on following her example. I can't think of a better environment than a cozy--and often noisy--cafe to help writers and artists at all levels relax, focus, and get some work done all at the same time. It's a practice I've been following for years, and one I've come to rely upon to get me out of the house and filling the blank page. 

Some of my top reasons for choosing cafes over, say, the library or the laundromat as a makeshift office/studio include:

1. As the old saying goes, a change is as good as a rest. And the cafe scene is always changing.

2. Someone else makes the coffee.

3. You have instant “material.” All those strange people sitting around chatting, arguing, reading, slurping . . .

4. You get used to writing with distractions and even a certain amount of discomfort. Great for learning to switch off from the "real world" and concentrate on the project at hand.

5. Discipline. You’ve made the effort to travel all this way, so stay there!

6. Ritual. Same place + same time = familiar and comforting routine.

7. Writing by hand is good for the heart and soul.

8. Or if you prefer, plug in. Many cafes have free WiFi, great for the budget-conscious.

9. If you're close enough to a local cafe, you can walk there. An excellent workout!

10. You can buy yourself a treat for “good behavior” and pages written. (And it doesn't have to be cake. If you're in a bookstore, museum, or gift shop cafe, how about a new book, magazine, pen, or journal?)

11. You have the opportunity to hold meetings with other artists and writers without using--or cleaning--your house.

12. Busily working away in your journal or sketchbook in public sends the message that you are a Professional, helping you to be exactly what you want to be.

Tip of the Day: Writing or drawing surrounded by a crowd can sometimes be daunting. To overcome any shyness or self-consciousness you may feel, especially if you're a newbie to cafe creativity, try sitting with your back to the wall. That way no one can easily look over your shoulder--something people love to do when you're sketching. (It's taken me a long time to simply smile and keep going whenever that happens. And believe me, they soon get bored and leave.) Another tip is to use a journal or sketchbook with a firm fold-over cover so you can write or draw while the book is propped on your lap rather than on the table, a good way to maintain your privacy and confidence. Latte, anyone?

Happy 2016 Goal-Setting

Every year I like to set my goals--not so much to make the year into a non-stop homework assignment, but more to clarify where I want to go and how I want to get there. This year I have five:

1. Keep submitting the novel (The Abyssal Plain) I finished editing last year. Which means: making serious submission lists, staying tuned-in to what's happening in the publishing world, not being defeated by rejection, and just going for it. Yes.

2. Finish the edits on my new novel, Ghazal, and have it submission-ready by the end of the year. I'm really looking forward to this particular task because I particularly love this manuscript. It's based on the theme of "Thirty Doors, Thirty Stories" and one of the things I'm planning to do as a spin-off goal is to create thirty mixed-media illustrations to go with the manuscript. (People with long memories might recall that one of my 2015 goals was to paint and draw scenes of doorways, something that fits my current WIP perfectly and still maintains my interest.)

3. Write short stories. Initially my goal was to "write one short story a week." My goodness, only one? Not . . . three? I don't know who thinks up these things, but after failing to write any short stories during the first two weeks of the year, I thought this imperative was somewhat draconian. To save my sanity and accomplish my other goals, I just plan to write short stories--when I can--rather than embark upon another novel this year. (Whew, that feels better.)

4. Go for the A-Z Blogging Challenge again. This will be my second year participating and another good reason to not fill up my calendar with "must write" short stories. The challenge involves blogging every day except for Sundays during the month of April, each blog post based on a topic starting with A and working through to Z. I enjoyed my first outing with the A-Z'ers and can't wait to see what kinds of new blogs I'll discover this year.

5. Work through my art instruction books one exercise at a time as if I were in a class. After my last bookshelf purge, I was interested to see that the majority of books I kept in any single subject were all my art instruction books. I love them, but I have to admit to not always using them. Too often I just look at the pictures and/or do only the intermediate lessons. I read the beginner's lesson and think, "Oh, that's boring. I don't need to learn about color mixing or how to make pages and pages of pencil marks for practice." This is always followed by then going to the advanced lesson and reeling when I see how complicated it is, my usual thoughts being, "I could never do that!"

This year that's all gonna change. I'm going to tackle one book at a time rather than diving into all of them at once (another bad habit), and do the exercises in order: beginner, intermediate, advanced. If I have to be bored painting circles, or do the advanced lesson on how to draw the perfect sleigh horse with shiny little bells in its mane (yes, this is a real lesson in one of my books) twenty times to get it right, so be it. I might end up having to stay with just one book for the entire year, but it's the only way I'm going to progress with my art skills and justify why I'm keeping those books.

So that's me. How about you?

Tip of the Day: Find a group of supportive listeners and goal-setters to help you brainstorm and solidify ideas for 2016. Before writing this post, I met with my writer's group specifically to discuss our goals for the year. It was a wonderful and inspiring meeting that encouraged me to a) have some goals, and, b) go gentle on myself. I was also able to pick up some fresh approaches on how to tackle the various projects, things such as adding more meditation and "quiet time" to my day, or venturing out into new selling opportunities. Best of all, I didn't feel alone in my quest to make my year something special. Thanks, group, and good luck with your own goals!

2016! Start the Year with "What, Why, How"

Sweet little monkey
I met in Taiwan. (One of the "well-behaved" ones.)

Happy New Year and Happy Year of the Monkey! (I knew all those monkey pics I took in Taiwan would come in handy one day.) I particularly like the shot of this little one looking so pensive and sweet (or that's what I tell myself. For all I know he's just plotting how to jump down and bite his next victim. . . .)
But back to the positive side of things, and to get the year off to a great start, today I'm guest blogging over at Linda K. Sienkiewicz's website. Linda kindly asked me a few weeks ago to participate in her ongoing series of interviews on creativity categorized under the heading "What, Why, How." You can read my entry here.

Thank you so much for the invitation, Linda. It was a fun exercise. Hope to see you all there!

Tip of the Day: How would you reply to the big questions for 2016 of What? How? Why? Setting aside some time to write down your answers could provide some valuable insights and new directions for the year.